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The World's Most Mysterious Murders
Reading of murder stimulates a powerful response. We are repelled by the horror of it, but, simultaneously, our natural curiosity is strongly aroused. We want to know who did it, and why. Most unsolved murders have no apparent motives - or too many motives. The murders of Sir Harry Oakes in 1943, one of the richest men in Canada, and Christine Demeter, found dead in a blood-soaked garage in Mississauga in 1973 - remain unsolved. In fact, history is full of unsolved murders. Who killed King William Rufus, Edward II, and the Princes in the Tower? Who was Jack the Ripper? Was James Hanratty really guilty of killing Michael Gregson? These mysteries and more are contained in The World’s Most Mysterious Murders.
Alabama Creates
A visually rich survey of two hundred years of Alabama fine arts and artists Alabama artists have been an integral part of the story of the state, reflecting a wide-ranging and multihued sense of place through images of the land and its people. Quilts, pottery, visionary paintings, sculpture, photography, folk art, and abstract art have all contributed to diverse visions of Alabama’s culture and environment. The works of art included in this volume have all emerged from a distinctive milieu that has nourished the creation of powerful visual expressions, statements that are both universal and indigenous. Published to coincide with the state’s bicentennial, Alabama Creates: 200 Years of Ar...
Barnstorm
Though the best American writers live everywhere now, a popular fiction persists: our strongest literary voices are strictly bi-coastal ones. Barnstorm sets out to disprove that cliché and to undermine another one as well: the sense of regional fiction as something quaint, slightly regressive, and full of local color. The stories in this collection capture our global reality with a ruthless, unaffected voice. Lorrie Moore's "The Jewish Hunter" is a dark romance that's by turns cynical and guileless. Mack Friedman catches the smoking feel of first love in his "Setting the Lawn on Fire," and Jesse Lee Kercheval's "Brazil" is a raucous, ultimately mournful road trip. For Jane Hamilton, Wiscons...
Conversations at the Castle
This book addresses one of the most troubling questions of contemporary art theory and practice: Who is contemporary art for? Although the divide between contemporary art and the public has long been acknowledged, this is the first time that artists, critics, and the public have come together to debate the problem and to make artmaking, criticism, and public reaction part of the same process. Like the exhibitions, discussions, and seminars held at "The Castle" during the summer 1996 Olympic Games in Atlanta, this book is based on the premise that contemporary artists and the general public have something to say to each other. By positing the space of "conversation" as one in which artworks c...
