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It's 1991 in West Belfast. With their husbands either locked up or killed, Marie, Cassie and Nora are just trying to get on with their lives, despite the bombs, burning buses and soldiers trampling the flower beds. Life must go on - after all, there's still laundry to do and kids to feed. But when a mysterious young woman turns up on Marie's doorstep and disrupts their girls' night out, the devastating revelations which ensue will shatter dreams and threaten their friendship irrevocably. Sharply funny, moving, yet never shying from the harsh realities of life during the Troubles, Bold Girls is a celebration of women's strength under siege. It was first performed by 7:84 Scottish People's Theatre at Cumbernauld Theatre in 1990 and on tour. The play announced Rona Munro as one of the best playwrights of her generation, winning her the Susan Smith Blackburn Prize for 1990-91. This new edition was published alongside the revival at Theatre by the Lake, Keswick, in June 2018.
Scotland, 1504, seen fresh through the eyes of new arrivals Ellen and Anne, two Moorish women who were expected to take their place at a royal court... but not this one. Both women now have to fight to find and keep a place in the dazzling, dangerous world of the Scottish court of James IV. It's a world where war is never far away, words of love and promises of peace are not what they seem, and where poets might turn out to be more dangerous than any assassin. Rona Munro continues her journey through an uncharted period of Scottish history with James IV: Queen of the Fight, which was first presented in 2022 by Raw Material and Capital Theatres in association with National Theatre of Scotland, and directed by Laurie Sansom. It follows the spectacular success of Munro's plays about James I, II and III, which were first performed by National Theatre of Scotland, transferred to the National Theatre, London, and were named Best New Play at the Evening Standard Awards. The original three-play cycle is available in the volume The James Plays: James I, II and III.
An epic exploration of the history and shaping of Scotland from one of the country's most successful playwrights.
Rona Munro's 'The Indian Boy' is a play about the discovery of a 'wild child' in a forest and society's attempts to understand and control him. It was commissioned by the Royal Shakespeare Company, with the brief that it should be loosely inspired by Shakespeare; Munro chose to re-imagine the life of the 'Indian boy' who is the main cause of the rift between the fairies Oeron and Titania in 'A Midsummer Night's Dream'
A thrillingly fast-paced play about youthful disaffection, protest and violence, drawing on the history of youth gangs of nineteenth-century Manchester.
The travails of Harriet, an early 19th century actress and her family. Set in the north-east of Scotland.
A powerful, poetic and unsettling supernatural thriller.-Scotsman
Fifty years after Yuri Gagarin's first orbit around the Earth, Little Eagles tells the fascinating and little-known story of Sergei Korolyov, chief designer and unsung hero of the Soviet space programme. Under Korolyov's leadership the 'little eagles' of the USSR beat the Americans in the early stages of the space race, achieving a series of firsts, including the first human in space. Rona Munro's gripping play illuminates the life and work of a brilliant engineer who struggled to meet the military demands of his ruthless political masters, whilst devoting as much time as possible to his real passion, exploring outer space. Little Eagles was first staged by the Royal Shakespeare Company at Hampstead Theatre, London, in 2011.
The two Scottish plays fronting the Traverse Theatre's 2002 Edinburgh Festival Programme Each year the Traverse Theatre produces two original plays as its own contribution to the Edinburgh Festival. Each year the Traverse plays are the most widely reviewed and nearly always the most highly praised. Like Liz Lochhead's Perfect Days or Gregory Burke's Gagarin Way, they often subsequently transfer to London. This year the Traverse is premiering two plays both by Scottish women writers. Linda McLean's previous work has been seen almost exclusively at the Traverse - and includes One Way Beating and Riddance Rona Munro's work has been seen more widely, notably at Hampstead Theatre, London - and includes Bold Girls and The Maiden Stone.
Lucy Barton sedang dalam masa pemulihan dari penyakit yang tadinya hanya penyakit sederhana. Ibunya, yang sudah lama tak bicara dengan Lucy, datang menjenguknya. Mereka membicarakan orang-orang yang pernah mereka kenal dulu, dan hubungan antara ibu dan anak ini perlahan mencair. Namun di balik percakapan yang baik-baik saja, ada tekanan dan kerinduan Lucy yang mendalam, baik akan kehidupan pernikahan, impian menjadi penulis, keluarganya yang penuh masalah, dan anak-anaknya.