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Christina Stead's works resist simplistic categorization, a circumstance which has attracted some critics and exasperated many others. The upsurge of post-colonial and feminist criticism in the 1980s revitalized critical interest in her books. Exuberant intertextuality and an abundance of contradictory literary and ideological discourses - previously often regarded as excesses flawing Stead's literary style - now became appreciated qualities. The aim of this book is to illuminate a host of revealing, but frequently overlooked, details that form patterns essential for a deeper understanding and enjoyment of Stead's novels. Intertextuality and the workings of conflicting discourses play promin...
Autobiographical writings have been a major cultural genre from antiquity to the present time. General questions of the literary as, e.g., the relation between literature and reality, truth and fiction, the dependency of author, narrator, and figure, or issues of individual and cultural styles etc., can be studied preeminently in the autobiographical genre. Yet, the tradition of life-writing has, in the course of literary history, developed manifold types and forms. Especially in the globalized age, where the media and other technological / cultural factors contribute to a rapid transformation of lifestyles, autobiographical writing has maintained, even enhanced, its popularity and importanc...
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