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Female Quest in Christina Stead's For Love Alone
Christina Stead's works resist simplistic categorization, a circumstance which has attracted some critics and exasperated many others. The upsurge of post-colonial and feminist criticism in the 1980s revitalized critical interest in her books. Exuberant intertextuality and an abundance of contradictory literary and ideological discourses - previously often regarded as excesses flawing Stead's literary style - now became appreciated qualities. The aim of this book is to illuminate a host of revealing, but frequently overlooked, details that form patterns essential for a deeper understanding and enjoyment of Stead's novels. Intertextuality and the workings of conflicting discourses play promin...
Reception of Northrop Frye
The Reception of Northrup Frye takes a thorough accounting of the presence of Frye in existing works and argues against Frye's diminishing status as an important critical voice.
Mathilda
Narrating from her deathbed, Matilda tells the story of her unnamed father's confession of incestuous love for her, followed by his suicide by drowning; her relationship with a gifted young poet called Woodville fails to reverse Matilda's emotional withdrawal or prevent her lonely death.
Mathilda
Narrating from her deathbed, Matilda tells the story of her unnamed father's confession of incestuous love for her, followed by his suicide by drowning; her relationship with a gifted young poet called Woodville fails to reverse Matilda's emotional withdrawal or prevent her lonely death.
Mathilda
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Mathilda
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Modernist Voyages
London's literary and cultural scene fostered newly configured forms of feminist anticolonialism during the modernist period. Through their writing in and about the imperial metropolis, colonial women authors not only remapped the city, they also renegotiated the position of women within the empire. This book examines the significance of gender to the interwoven nature of empire and modernism. As transgressive figures of modernity, writers such as Jean Rhys, Katherine Mansfield, Una Marson and Sarojini Naidu brought their own versions of modernity to the capital, revealing the complex ways in which colonial identities 'traveled' to London at the turn of the twentieth century. Anna Snaith's original study provides an alternative vantage point on the urban metropolis and its artistic communities for scholars and students of literary modernism, gender and postcolonial studies, and English literature more broadly.
Protestant Women Novelists and Irish Society 1879-1922
Reviews a great number of novels by Anglo-Irish women novelists that - with few exceptions - have attracted little attention from contemporary and modern literary critics. The main focus is on the literature and its society. The disposition of this study reflects the areas of contention experienced by the Anglo-Irish of the period. Chapter 1, Land and Politics, deals with the Anglo-Irish landlords and their families. Chapter 2 is devoted to different aspects of religion. Chapter 3, Race, discusses the Celt and his presumed characteristics. The 'other' race, the English, will get some attention, as will the Protestant Anglo-Irish themselves. Chapter 4 focuses on this new ruling class, 'the new Irish'. A brief conclusion follows.
The "New Negro" in the Old World
"This book investigates the relationship between the "New Negro" moment of the early twentieth-century America and the Old World of Europe, as represented in James Weldon Johnson's The Autobiography of an Ex-Colored Man (1912), Jessie Fauset's There Is Confusion (1924), and Nella Larsen's Quicksand (1928). The episodes set in Europe form a lens through which the role of the African American in Western civilization can be studied. The African-American artist/protagonists are seen as cultural intermediaries, who bridge Euro-American and African-American culture, national and folk culture, high and low culture. This study suggests that in the novels of Johnson, Fauset, and Larsen, the trope of performance (based on double consciousness) is used to critique the notions of race and culture, whereby conceptions of racial essentialism and cultural authenticity are questioned. The novels themselves are also considered as performative acts that helped form the concept of a "New Negro" in the 1920s."--BOOK JACKET.
