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Whether re-creating an actual event or simply being set in a bygone era, films have long taken liberties with the truth. While some members of the audience can appreciate a movie without being distracted by historical inaccuracies, other viewers are more discerning. From revered classics like Gone with the Wind to recent award winners like Argo, Hollywood films often are taken to task for their loose adherence to the facts. But what obligation do filmmakers have to the truth when trying to create a two-hour piece of entertainment? In Bringing History to Life through Film: The Art of Cinematic Storytelling, Kathryn Anne Morey brings together essays that explore the controversial issue of film...
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The story of the (now restored) Regent Street Cinema is the fourth volume exploring the University of Westminster's long and diverse history. This multi-authored volume tells its history from architectural, educational, legal and cinematic perspectives and is richly illustrated throughout with images from the University of Westminster archive.
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On March 31, 1943, the musical Oklahoma! premiered and the modern era of the Broadway musical was born. Since that time, the theatres of Broadway have staged hundreds of musicals--some more noteworthy than others, but all in their own way a part of American theatre history. With more than 750 entries, this comprehensive reference work provides information on every musical produced on Broadway since Oklahoma's 1943 debut. Each entry begins with a brief synopsis of the show, followed by a three-part history: first, the pre-Broadway story of the show, including out-of-town try-outs and Broadway previews; next, the Broadway run itself, with dates, theatres, and cast and crew, including replacements, chorus and understudies, songs, gossip, and notes on reviews and awards; and finally, post-Broadway information with a detailed list of later notable productions, along with important reviews and awards.
Originally published in 1953, What Shall I Read Next? lists nearly 2000 works published after 1900, with the compiler's own appreciatory comments on selected items. It was a companion volume to Mr Seymour Smith's English Library. Both books are published on behalf of the National Book League. In his introduction, explaining the scope and purpose of the book, Mr Seymour Smith wrote: 'Some will find it useful merely as a shopping list, reminding them of books they know something about already, and serving as a remembrancer. To others, and particularly to younger readers, it may introduce books which have so far escaped their notice. It is hoped, too, that for booksellers and librarians it will have a practical use as a desk-book, for answering enquiries, for serving as a check list for stock, and for use as a reference book when memory fails'.
Since its opening in 1911, Liverpool's Playhouse has been inextricably linked to the history of the city in which it was built. The impetus to create it, Ros Merkin reveals in this chronicle of the oldest surviving repertory theater in Britain, grew out of the city's new sense of civic pride and largesse in the early twentieth century. Her book asks both how the city has shaped the theater and what the theater has brought to the city, and along the way she dispels the myth that the Playhouse is Liverpool's conservative theater, revealing that from its inception it was breaking new ground and issuing challenges.
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The first comprehensive guide to British theatre's engagement with the First World War over the last century, providing accessible and lively coverage of theatre's role in the representation and remembrance of events, focusing on topics including regionality, politics, popular performance, Shakespeare, class, race and gender.