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By the time Lucien Carr stabbed David Kammerer to death on the banks of the Hudson River in August 1944, it was clear that the hard-partying teenage companion to Jack Kerouac, Allen Ginsberg, Neal Cassady, and William S. Burroughs might need to reevaluate his life. A two-year stint in a reformatory straightened out the wayward youth but did little to curb the wild ways of his friends. MANIA tells the story of this remarkable group—who strained against the conformity of postwar America, who experimented with drink, drugs, sex, jazz, and literature, and who yearned to be heard, to remake art and society in their own libertine image. What is more remarkable than the manic lives they led is th...
In this innovative book, the authors persuasively argue that the First Amendment to the Constitution has risen in the late twentieth century, like an ill guided individual with knife in hand, to murder a longstanding tradition of fine and meaningful discourse in the United States. We are bombarded with the cacophony of advertisement, the luridity of pornography, and the pointlessness of prime timepoor substitutes for intelligent consideration of ideas. }In this innovative book, the authors persuasively argue that the First Amendment to the Constitution has risen in the late twentieth century, like an ill-guided individual with knife in hand, to murder a long-standing tradition of fine and me...
America values dissent. It tolerates, encourages, and protects it. But what is this thing we value? That is a question never asked. "Dissent" is treated as a known fact. For all that has been said about dissent - in books, articles, judicial opinions, and popular culture - it is remarkable that no one has devoted much, if any, ink to explaining what dissent is. No one has attempted to sketch its philosophical, linguistic, legal, or cultural meanings or usages. There is a need to develop some clarity about this phenomenon we call dissent, for not every difference of opinion, symbolic gesture, public activity in opposition to government policy, incitement to direct action, revolutionary effort, or political assassination need be tagged dissent. In essence, we have no conceptual yardstick. It is just that measure of meaning that On Dissent offers.
Offers a First Amendment approach to defend against governmental censorship of the newest form of technological expression: robotic speech.
In a stinging dissent to a 1961 Supreme Court decision that allowed the Illinois state bar to deny admission to prospective lawyers if they refused to answer political questions, Justice Hugo Black closed with the memorable line, "We must not be afraid to be free." Black saw the First Amendment as the foundation of American freedom - the guarantor of all other Constitutional rights. Yet since free speech is by nature unruly, people fear it. Consequently, the impulse to curb or limit it has been a constant danger throughout American history. In We Must Not Be Afraid to Be Free, two of America's leading free speech scholar-activists, Ron Collins and Sam Chaltain, provide an authoritative histo...
Lawrence Ferlinghetti’s name does not appear in any First Amendment treatise or casebook. And yet when the best-selling poet and proprietor of City Lights Books was indicted under California law for publishing and selling Allen Ginsberg’s poem, Howl, Ferglinghetti buttressed the tradition of dissident expression and ended an era when minds were still closed, candid literature still taboo, and when selling banned books was considered a crime. The People v. Ferlinghetti is the story of a rebellious poet, a revolutionary poem, an intrepid book publisher, and a bookseller unintimidated by federal or local officials. There is much color in that story: the bizarre twists of the trial, the swag...
First Things First is a college coursebook like no other. Written by three First Amendment experts and professors, the book provides students with the fundamentals of modern American free speech law in a clear, concise, and accessible manner. First Things First also introduces readers to First Amendment issues related to topics such as student speech, freedom of the press, civil rights, LGBTQ rights, advertising, music censorship, and artificial intelligence. The text includes scores of audio and video links, photographs, and helpful study-aid summaries and questions. First Things First’s vibrant and engaging tone ensures readers will leave this book with a dynamic understanding of their r...
Two leading scholars of the Supreme Court explain and predict its decision making.
This Top Five Classics illustrated edition of Jane Austen’s Emma features: • 40 b&w illustrations by Hugh Thomson • 8 full-color illustrations by Philip Gough • an informative Introduction • a detailed Biography and Bibliography The fourth and last novel Jane Austen published during her lifetime, Emma remains one of her most popular, critically acclaimed, and adapted works. Emma Woodhouse, firmly established at the age of 21 as the head of a well-off household that comprises her and her persnickety father, has no intention of ever marrying. But she is more than eager to act as matchmaker for her friends. Well-meaning and always confident of knowing what’s best, Emma has a few blindspots when it comes to affairs of the heart. Jane Austen’s Emma is charming, infuriating, insightful, romantic, and above all, funny. A must read for any fan of Jane Austen.
This Top Five Classics illustrated edition of Jane Austen’s Persuasion features: • 30 full-color illustrations by Charles E. Brock • an informative Introduction • a detailed Biography and Bibliography Originally published in December 1817, just five months after Jane Austen died at the age of 41, Persuasion was her last completed novel. Released with Northanger Abbey as a four-volume set, its publication marked the first time Austen was acknowledged as the author of these and her previous four novels. Persuasion begins eight years after Anne Elliot’s love affair was thwarted by her well-meaning mentor, Lady Russell. Now Anne must endure being thrust into company with her former fiancé, as he courts another, younger woman. Persuasion is not only one of Austen’s most popular novels, it is her most mature.