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Catastrophic Historicism
Catastrophic Historicism unsettles the historicist constitution of Julia de Burgos (1914–53), Puerto Rico’s most iconic writer—a critical task that necessitates redefining the concept of historicism. Through readings of Aristotle, Walter Benjamin, Jacques Derrida, Werner Hamacher, and Frank Ankersmit, Mendoza-de Jesús shows that historicism grounds historical objectivity in the historian’s capacity to compose totalizing narratives that domesticate the contingency of the past. While critiques of historicism as a realism leave untouched the sovereignty of the historian, the book insists that reading the text of history requires an attunement to danger—a modality that interrupts hist...
Phenomenology and Eschatology
This book brings together a world-renowned collection of philosophers and theologians to explore the ways in which the resurgence of eschatological thought in contemporary theology and the continued relevance of phenomenology in philosophy can illuminate each other. Through a series of phenomenological analyses of key eschatological concepts and detailed readings in some of the key figures of both disciplines, this text reveals that phenomenology and eschatology cannot be fully understood without each other: without eschatology, phenomenology would not have developed the ethical and futural aspects that characterize it today; without phenomenology, eschatology would remain relegated to the sidelines of serious theological discourse. Along the way, such diverse themes as time, death, parousia, and the call are re-examined and redefined. Containing new contributions from Jean-Yves Lacoste, Claude Romano, Richard Kearney, Kevin Hart and others, this book is necessary reading for anyone interested in the intersection of contemporary philosophy and theology.
Catastrophic Historicism
Catastrophic Historicism unsettles the historicist constitution of Julia de Burgos (1914–53), Puerto Rico’s most iconic writer—a critical task that necessitates redefining the concept of historicism. Through readings of Aristotle, Walter Benjamin, Jacques Derrida, Werner Hamacher, and Frank Ankersmit, Mendoza-de Jesús shows that historicism grounds historical objectivity in the historian’s capacity to compose totalizing narratives that domesticate the contingency of the past. While critiques of historicism as a realism leave untouched the sovereignty of the historian, the book insists that reading the text of history requires an attunement to danger—a modality that interrupts hist...
Matters of Inscription
"Matters of Inscription: Reading Figures of Latinidad argues that Latinx inscriptions require us to read at the edge of materiality and semiosis, charting a nimble method for "reading" various forms of Latinx marks and even the word Latinx across art, performance, poetry, plays, and fiction"--
Give the Word: Responses to Werner Hamacher's "95 Theses on Philology"
Werner Hamacher’s witty and elliptical 95 Theses on Philology challenges the humanities—and particularly academic philology—that assume language to be a given entity rather than an event. In Give the Word eleven scholars of literature and philosophy (Susan Bernstein, Michèle Cohen-Halimi, Peter Fenves, Sean Gurd, Daniel Heller-Roazen, Jan Plug, Gerhard Richter, Avital Ronell, Thomas Schestag, Ann Smock, and Vincent van Gerven Oei) take up the challenge presented by Hamacher’s theses. At the close Hamacher responds to them in a spirited text that elaborates on the context of his 95 Theses and its rich theoretical and philosophical ramifications. The 95 Theses, included in this volume...
Praying to a French God
As a phenomenologist Lacoste is concerned with investigating the human aptitude for experience; as a theologian Lacoste is interested in humanity’s potential for a relationship with the divine, what he terms the ’liturgical relationship’. Beginning from the proposition that prayer is a theme that occurs throughout Lacoste’s writing, and using this proposition as a heuristic through which to view, interpret and critique his thought, this book examines Lacoste’s place amid both the recent ’theological turn’ in French thought and the post-war emergence of la nouvelle théologie. Drawing upon unpublished and out of print material previously only available in French, Romanian or German, the book will be of interest to scholars of philosophy, phenomenology and theology.
Heidegger in the Literary World
This volume traces the ways in which Heidegger’s philosophical thinking has been taken up, critically re-appropriated, and disseminated in literary and poetic writing since the middle of the 20th century.
Literature in the Ashes of History
These stories of trauma cannot be limited to the catastrophes they name, and the theory of catastrophic history may ultimately be written in a language that already lingers in a time that comes to us from the other side of the disaster.
Irony on Occasion
What is it about irony - as an object of serious philosophical reflection and a literary technique of considerable elasticity - that makes it an occasion for endless critical debate? This book responds to that question by focusing on several key moments in German romanticism and its afterlife in twentieth-century French thought and writing. Rather than provide a history of irony, it examines particular occasions of ironic disruption, thus offering an alternative model for conceiving of historical occurrences and their potential for acquiring meaning.
The Traces of Jacques Derrida's Cinema
Situated at the intersection of film and media studies, literary theory, and continental philosophy, The Traces of Jacques Derrida's Cinema provides a trenchant account of the role of cinema in the oeuvre of one of the most influential philosophers of the twentieth century, Jacques Derrida (1930-2004). The book is animated by Derrida's self-confessed passion for the movies, his reluctance to write about film despite the range of his corpus, and the generative encounters arising between his legacy and the field of film and media studies as a result. Given the expanse of its references, interdisciplinarity, and consideration of Derrida's approach to the experience of both spectatorship and the...
