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The Semblance of Subjectivity
  • Language: en
  • Pages: 372

The Semblance of Subjectivity

  • Type: Book
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  • Published: 1997
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  • Publisher: MIT Press

The essays are organized around the twin themes of semblance and subjectivity. Whereas the concept of semblance, or illusion, points to Adorno's links with Marx, Nietzsche, and Freud, the concept of subjectivity recalls his lifelong struggle with a philosophy ofconsciousness stemming from Kant, Hegel, and Lukacs.

Aesthetics and Ethics
  • Language: en
  • Pages: 344

Aesthetics and Ethics

  • Categories: Art

This major collection of essays examines issues surrounding aesthetics and ethics.

Africana Critical Theory
  • Language: en
  • Pages: 453

Africana Critical Theory

Building on and going far beyond W.E.B. Du Bois and the Problems of the Twenty-First Century and Du Bois's Dialectics, Reiland Rabaka's Africana Critical Theory innovatively identifies and analyzes continental and diasporan African contributions to classical and contemporary critical theory. This book represents a climatic critical theoretical clincher that cogently demonstrates how Du Bois's rarely discussed dialectical thought, interdisciplinarity, intellectual history-making radical political activism, and world-historical multiple liberation movement leadership helped to inaugurate a distinct Africana tradition of critical theory. With chapters on W.E.B. Du Bois, C.L.R. James, Negritude ...

The Hip Hop Movement
  • Language: en
  • Pages: 432

The Hip Hop Movement

The Hip Hop Movement offers a critical theory and alternative history of rap music and hip hop culture by examining their roots in the popular musics and popular cultures of the Civil Rights Movement and Black Power Movement. Connecting classic rhythm & blues and rock & roll to the Civil Rights Movement, and classic soul and funk to the Black Power Movement, The Hip Hop Movement explores what each of these musics and movements contributed to rap, neo-soul, hip hop culture, and the broader Hip Hop Movement. Ultimately, this book’s remixes (as opposed to chapters) reveal that black popular music and black popular culture have always been more than merely “popular music” and “popular cu...

Realism, Myth, and the Vernacular in Pasolini’s Film and Philosophy
  • Language: en
  • Pages: 154

Realism, Myth, and the Vernacular in Pasolini’s Film and Philosophy

None

A New India?
  • Language: en
  • Pages: 225

A New India?

This volume critically examines the notion of a ‘new’ India by acknowledging that India is changing remarkably and by indicating that in the overzealous enthusiasm about the new India, there is collective amnesia about the other, older India. The book argues that the increasing consolidation of capitalist markets of commodity production and consumption has unleashed not only economic growth and social change, but has also introduced new contradictions associated with market dynamics in the material and social as well as intellectual spheres.

W.E.B. Du Bois and the Problems of the Twenty-First Century
  • Language: en
  • Pages: 296

W.E.B. Du Bois and the Problems of the Twenty-First Century

None

Aesthetic Injustice
  • Language: en
  • Pages: 209

Aesthetic Injustice

Contrast the glittering palette used to decorate rickshaws on the streets of Mumbai, the phlegmatic angst of Nordic noir, the taut ovoids of Kwakwaka'wakw carving, or the kawaii invasion of parts of Tokyo. The diversity of the aesthetic ecosystem enriches our lives. In Aesthetic Injustice, Dominic McIver Lopes draws on his earlier books, Beyond Art and Being for Beauty^—^as well as the rich tradition of cultural cosmopolitanism^—^to argue that we have interests in there being diverse conceptions of aesthetic value, each one at the centre of a thriving, self-directed aesthetic culture. These interests should govern how, from the perspective of our own aesthetic cultures, we interact with ...

Dead Composers, Living Audiences
  • Language: en
  • Pages: 378

Dead Composers, Living Audiences

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Between Hume's Philosophy and History
  • Language: en
  • Pages: 180

Between Hume's Philosophy and History

This book explores the historical dimension of David Hume's philosophy, a feature that Spencer Wertz calls 'historical empiricism.' According to Wertz, Hume sought to understand the present in terms of the past in a way that anticipates the historical constructionism of R.G. Collingwood and Herbert Butterfield. Hume's method is to tell a story about something's origin in which ideas yield impressions. These impressions eventually yield to experience that includes history as part of its structure. Arguing that Hume worked between history and philosophy, Wertz demonstrates that Hume's historical empiricism consists of four key concepts. These concepts are history, human nature, experience, and nature, all of which play a role in historical narration, taste, moral judgments, and the historiography of science. Bringing new insights to the study of Hume's work, this book will be an important resource for scholars of philosophy.