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Ronald Stevenson
Ronald Stevenson is one of Britain's leading composers, and almost certainly its most prolific. He is best known for his massive Passacaglia on DSCH - at 80 minutes long, the biggest single-movement work in the piano literature. But he has an enormous number of other fine works to his credit: a vast corpus of original and exciting works for the piano, the instrument of which he is an acknowledged master, a number of innovative and impressive scores for orchestra including four concertos], many attractive pieces of chamber music, and over two hundred songs. All of them testify to Stevenson's enduring belief in the value of melody. Stevenson is also one of the last representatives of the great...
Song in Gold Pavilions
There is an undeniable fascination in reading the words that composers write. Whenever a composer puts finger to typewriter rather than pencil to manuscript paper, we inevitably hope that he might proffer us some insights into the workings of the creative musical mind ? that source of much mystery since the act of composition left the realm of low artisanship for that of High Art some two or three centuries ago. Composers who deal with words as naturally as they write notes are, however, a breed of exceeding rarity. Ronald Stevenson belongs amongst them and the proof of it is to be found amply in this book.
Comrades in Art
The two men soon found that, despite their half-century difference in age, they had many affinities. Both were pianists of staggering abilities and composers who combined a love for folk-music and working-class art with an aesthetic that proposed a `world music' to include the farthest reaches of humanity. Both made an art of piano trascription of a wide variety of works and were champions of little-known music and composers. And both revered the work of Walt Whitman, that great poet of inclusivity, the pioneering spirit and the open road. --
Foul Deeds & Suspicious Deaths Around Newport
This cathedral and university city in southern Wales hides a long and violent history—from Roman gladiators to current crimes of passion. This book contains twenty-one separate stories all based in the Newport and district area. Anyone fascinated by the mindset of a murderer will enjoy this book. Whether you are a budding Miss Marple or an aspiring Inspector Morse, here is a look inside the criminal mind, the unmasking of means and motives, and the struggles and successes of detective work. From the Roman citizens who used Newport’s countryside as their dumping ground to a sword-fencing duel in the 1650s, from a mass murder in Westgate Square to a man found shot dead in his office, author Terry Underwood tackles the centuries-old criminal history of this city on the River Usk. “The man known for his books about Newport . . . has turned his hand to chronicling the city’s notorious murders.” —South Wales Argus
Sunset Song
Sunset Song is widely regarded as one of the most important Scottish novels of the 20th century. Chris Guthrie, the female protagonist, is a strong character who grows up in a dysfunctional farming family. Life is hard after her dad's death and she must take some tough decisions to save her farms under the inevitable threat of World War I . . . Lewis Grassic Gibbon was the pseudonym of James Leslie Mitchell (1901-1935), a Scottish writer famous for his contribution to the Scottish Renaissance and portrayal of strong female characters.
Twentieth Century Music Writers - A Hyperlist
How many composers, songwriters and lyricists wrote music in the twentieth century?? Who were they?? This first edition identifies more than 14,000 people who did so, and all are listed in this eBook alphabetically along with a hyperlink to their Wikipedia biographical data. Performers of blues, folk, jazz, rock & roll and R&B are included by default. PLEASE NOTE: THE HYPERLINKS IN THIS BOOK ONLY FUNCTION ON GOOGLE PLAY aka THE 'FLOWING' VERSION. The hyperlinks in this book DO NOT CURRENTLY FUNCTION on the GOOGLE BOOKS ' FIXED' version.
Two Centuries of British Symphonism
Die britische Sinfonik ist erst in jüngster Zeit ins allgemeine Interesse gerückt. Ein Überblick über die sinfonische Entwicklung im Vereinigten Königreich seit den Anfängen im 18. Jahrhundert bis ins 20. Jahrhundert blieb aber bis heute ein Desideratum. Der hier vorgelegte Überblick zeigt, wie sich die Identität einer britischen Sinfonik über mehr als hundert Jahre entwickelte, geprägt durch Einflüsse vom europäischen Kontinent und von dem Bedürfnis, eigene Wege zu finden. Gegen Ende des 19. Jahrhunderts nahm das sinfonische Schaffen in Großbritannien stark zu, brachte jedoch erst mit Edward Elgar einen prominenten Vertreter von internationalem Rang hervor. Ein besonderer Schw...
Chapman
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