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This book rereads and re-examines the important tradition of women poets and theorists who have both critically and creatively engaged with the study and reconsideration of the role played by myths in our Western society, assessing their impact in different eras. Such poets and theorists as H.D., Laura Riding, Denise Levertov, Margaret Atwood, Anne Carson, and Natalie Diaz have responded to myths, either by recreating, rewriting, and interrogating the power of myths to articulate our reality, or by creating and “begetting” new myths for the present. In order to interrogate whether myths throughout the 20th and 21st centuries can act as catalysts for new ideas and imaginative re-creations, this volume travels the path of essential works of poetry by women.
This volume traces the interconnections between myth, environmentalism, narrative, poetry, comics, and innovative artistic practice, using this as a framework through which to examine strategies for repairing our unhealthy relationship with the planet. Challenging late capitalist modes encouraging mindless consumption and the degradation of human–nature relations, this collection advocates a re-evaluation of the ethical relation to "living with" and sharing the Earth. Myth and the environment have shared a rich common cultural history travelling as far back as the times of storytelling and legend, with the environment often the central theme. Following a robust introduction, the book is or...
This volume contains the proceedings of the Tenth International Meeting of the International Study Group for Tryptophan Research (ISTR V), held at the University of Padova, Padova, Italy, from 25-29 June, 2002 under the auspices of the Ministry of Education, University and Research (MIUR) in Roma, the University of Padova, the Italian Chemical Society - Division of Pharmaceutical Chemistry, the Veneto Region and the City of Padova. The meeting was organized to cover the recent developments in the field of tryptophan research. Weare very honoured that so many speakers accepted our invitation to give plenary lectures which, with the other communications, demonstrated the high scientific value of the Meeting. The publications in this volume are subdivided into nine main chapters, and cover all the major aspects in immunology, neurobiology, psychiatry, pathology, clinics, metabolism, enzymology, pharmacology, toxicology, melatonin, exercise and analytical chemistry. The volume includes the contributions of 325 scientists from 24 countries, and the Musajo Memorial Lecture delivered by Prof. Osamu Hayaishi during the Opening Ceremony.
Sobrepasar los límites de lo real y de la forma es lo propio del género fantástico. A través de él, el lenguaje humano trasciende la pura referencialidad y entra en otro mundo con el fin de intentar dotar de significado a sus percepciones más inescrutables. En este volumen se exploran diferentes modalidades de ese desbordamiento inagotable y fecundo que, atravesando países y tiempos, pone en contacto la literatura escrita en varios idiomas con otras artes como la música, el dibujo o el cine. Se quiere así reflexionar sobre el papel de lo fantástico en nuestras vidas y sobre el modo en que pueda dibujarse como factor de cambio en nuestras habituales representaciones del mundo.
Un ángel fetichista que roba ropa interior femenina, un grupo de intelectuales quiere imitar a Antoine de Saint-Exupéry, un rebaño de ovejas intenta merendarse a la mujer de Lot ya convertida en estatua de sal... personajes y situaciones hilarantes, una ventana al absurdo más honesto, el único modo de ver la vida sin perder la cordura. Una colección de cuentos que nos lleva a la mirada más íntima del mundo de la mano de su autor. Alfredo Castellón es un escritor español nacido en Zaragoza. Tras toda una dilatada carrera como realizador de televisión, dirigió documentales sobre las principales personalidades literarias españolas. Asimismo, ha desarrollado una carrera literaria que le valió gran éxito tanto de crítica como de público.
Libro de sangre es una buildungsroman en la que el protagonista, el propio Kim, escribe a su abuela unas cartas para poder tener una relación con ella. Debido a su situación complicada como no binario, no sabe cómo hacerse entender. Intentando explicarse, se explica a sí mismo a través del recuerdo de su infancia y el de su nueva vida reciente.
Hasta la fecha invisibilizada, la poética comparada de mujeres es una nueva disciplina transversal en los Estudios Literarios cuyos textos, teoría, metodología y práctica transformarán por complete la lectura y la crítica de poesía en lo sucesivo. Rendered invisible until now, Comparative Women’s Poetics is a new transversal discipline in Literary Studies whose texts, theories, methodology and practice will completely transform the reading and criticism of poetry in the future.
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