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In Experience and Judgment, Husserl explores the problems of contemporary philosophy of language and the constitution of logical forms. He argues that, even at its most abstract, logic demands an underlying theory of experience. Husserl sketches out a genealogy of logic in three parts: Part I examines prepredicative experience, Part II the structure of predicative thought as such, and Part III the origin of general conceptual thought. This volume provides an articulate restatement of many of the themes of Husserlian phenomenology.
With the aim to write the history of Christianity in Scandinavia with Jerusalem as a lens, this book investigates the image – or rather the imagination – of Jerusalem in the religious, political, and artistic cultures of Scandinavia through most of the second millennium. Jerusalem is conceived as a code, in this volume focussing on Jerusalem's impact on Protestantism and Christianity in Early Modern Scandinavia. Tracing the Jerusalem Code in three volumes Volume 1: The Holy City Christian Cultures in Medieval Scandinavia (ca. 1100–1536) Volume 2: The Chosen People Christian Cultures in Early Modern Scandinavia (1536–ca. 1750) Volume 3: The Promised Land Christian Cultures in Modern Scandinavia (ca. 1750–ca. 1920)
In July 2007 a conference entitled «Ethical Liberalism in Contemporary Societies» was hosted by the Collegium Polonicum in Słubice, Poland. The conference was organised through collaboration between the Interdisciplinary Centre for Ethics at the European University Viadrina Frankfurt (Oder) and the Collegium Polonicum, a joint institution of the European University Viadrina Frankfurt (Oder) and the Adam Mickiewicz University Poznań. This volume collects the contributions to this conference. The problematics of liberalism affects ethicists and philosophers not only in Europe but also in Latin America and the Middle East. Scholars from these three regions met to discuss the role that the e...
This book explores Wittgenstein's conception of ethics, religion and philosophy. It aims at providing us with the tools necessary for assessing to what extent the Austrian philosopher can be considered an anti-Enlightenment thinker. The articles collected in this volume explore the relationship between Wittgenstein's thought and that of several authors who were, in various ways, key to the counter-enlightenement, authors such as Hume, Schopenhauer, Nietzsche, Tolstoy, James and Pierce. One of the central issues examined here is Wittgenstein's opposition to the Cartesian method of doubt – a cornerstone of the enlightened movement against prejudice and superstition.
This volume explores the relation between identity and diversity as the essential condition of interculturalism, and the sometimes positive, sometimes negative, role that identity and diversity play within intercultural dialogue in an increasingly globalised world. An international conference, in Madrid, October 2003, brought together scholars from four continents and allowed them to share their knowledge and learn about the issues of «identity and diversity: philological and philosophical reflections». The present volume contains a selection of the conference papers. The contributors explore the dynamics of identity as a process open to differences. Although identity and difference are not exclusively discursive, it is discourse and natural language that incorporate them.
In this book, David B. Wong defends an ambitious and important new version of moral relativism. He does not espouse the type of relativism that says anything goes, but he does start with a relativist stance against alternative theories such that there need not be only one universal truth. Wong proposes that there can be a plurality of true moralities existing across different traditions and cultures, all with one core human question as to how we can all live together.
The Paths of Creation explores the idea of creativity both in science and in art. The editors have collected papers from different philosophers working on philosophy of science and aesthetics to show that the creative processes of science and art share identical procedures: metaphor, ruled method, analogy, abduction, similarity. They are both surrounded by emotions, contain inspirations, proceed through revolutions that maintain some kind of continuity, and have a long common history in which no one worried about whether something was science or art. The purpose of this volume is to show that there are no different rationalities applied to science and art, but the same human reason developing in different forms to create not just different disciplines, but different worlds as well.
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