You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A theological explanation and practical handbook for those preparing for a diaconate in today’s church. All too often the time spent as a deacon is seen simply as the prelude to priestly ordination. Yet the Bible defines three orders of ministry - deacon, priest, and bishop - each with its own distinctive characteristics and responsibilities. In Being A Deacon Today, Brown explores the three places where deacons minister (the church, the world, and at the margins), the three strands of their ministry (in liturgy, in pastoral care, and as catechists), and the three actions of their ministry (praying, loving, and remembering). This book, excellent for classroom use and for transitional and permanent deacons, will restore a fuller understanding of the diaconal ministry and nurture deacons in their work and spiritual life.
This important book on priestly identity embraces the many contemporary varieties of priestly ministry: male and female, paid and unpaid, parish and work–based, catholic, evangelical, charismatic. Examining the “root,” the “shape,” and the “fruit” of priestly identity, Being a Priest Today is essential reading for priests, priests in training, and everyone considering the ministry. Part One “roots” a priest’s human and church life in the theological convictions derived from the Christian understanding of God as being for and with others. Part Two explores the “shape” of priestly life in relation to worship, word, and prayer, each supported by the three key virtues of love, faith, and hope. Part Three examines the “fruit” of priestly life by focusing on three fundamental features of priestly identity: holiness, reconciliation, and blessing. With its applicability to various denominations, this exciting book offers welcome new perspectives on what it means to be a priest today.
Christine de Pizan's Livre de la Cité des Dames (1405) is justly renowned for its full-scale assault on the misogynist stereotypes which dominated the culture of the Middle Ages. Rosalind Brown-Grant locates the Cité in the context of Christine's defence of women as it developed over a number of years and through a range of different texts. Arguing that Christine tailored her critique of misogyny according to the genre in which she was writing and the audience she was addressing, this study shows that Christine's case for women nonetheless had an underlying unity in its insistence on the moral, if not the social, equality of the sexes. Whilst Christine may not have been a radical in modern feminist terms, she was able to draw upon the cultural resources of her day in order to construct an intellectual authority for herself that challenged the prevailing orthodoxy of the day.
This is the first monograph devoted to manuscripts illuminated by the mid-fifteenth-century artist known as the Wavrin Master, so-called after his chief patron, Jean de Wavrin, chronicler and councillor at the court of Philip the Good of Burgundy. Specializing in the production of pseudo-historical prose romances featuring the putative ancestors of actual Burgundian families, the artist was an attentive interpreter of these texts which were designed to commemorate the chivalric feats of past heroes and to foster their emulation by noble readers of the day. Integral to these heroes' deeds is the notion of justice, their worth being measured by their ability to remedy criminal acts such as adu...
Six o'clock in the morning, Sunday, at the worn-out end of January. In a small room in an Oxford college, cold and dim and full of quiet, an undergraduate student works on an essay about Shakespeare's sonnets. Annabel has a meticulously planned routine for her day - work, yoga, meditation, long walks; no apples after meals, no coffee on an empty stomach - but finds it repeatedly thrown off course. Despite her efforts, she cannot stop her thoughts slipping off their intended track into the shadows of elaborate erotic fantasies. And as the essay's deadline looms, so too does the irrepressible presence of other people: Annabel's boyfriend Rich, keen to come and visit her; her family and friends who demand her attention; and darker crises, obliquely glimpsed, all threatening to disturb the much-cherished quiet in her mind. Exquisitely crafted, wryly comic, and completely original, Practice is a novel about the life of the mind and the life of the body, about the repercussions of a rigid routine and the deep pleasures of literature.
500 new intercessory prayers that are accessible, contemporary, wide-ranging and suitable for public worship or private devotion.
This title is part of Bug Club, the first whole-school reading programme that joins books with an online reading world to teach today's children to read. This title is suitable for ages 7-8 (Brown level).
This collection of essays examines how the paratextual apparatus of medieval manuscripts both inscribes and expresses power relations between the producers and consumers of knowledge in this important period of intellectual history. It seeks to define which paratextual features – annotations, commentaries, corrections, glosses, images, prologues, rubrics, and titles – are common to manuscripts from different branches of medieval knowledge and how they function in any particular discipline. It reveals how these visual expressions of power that organize and compile thought on the written page are consciously applied, negotiated or resisted by authors, scribes, artists, patrons and readers. This collection, which brings together scholars from the history of the book, law, science, medicine, literature, art, philosophy and music, interrogates the role played by paratexts in establishing authority, constructing bodies of knowledge, promoting education, shaping reader response, and preserving or subverting tradition in medieval manuscript culture.
The nation's favourite annual guide to the short story, now in its seventh year.Best British Short Stories invites you to judge a book by its cover - or more accurately, by its title. This critically acclaimed series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editor's brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume.Featuring stories by Jay Barnett, Peter Bradshaw, Rosalind Brown, Krishan Coupland, Claire Dean, Niven Govinden, Françoise Harvey, Andrew Michael Hurley, Daisy Johnson, James Kelman, Giselle Leeb, Courttia Newland, Vesna Main, Eliot North, Irenosen Okojie, Laura Pocock, David Rose, Deirdre Shanahan, Sophie Wellstood and Lara Williams.
Esther de Waal is one of today's most beloved spiritual writers. In The White Stone, she reflects on the changes and losses that come with growing older. Esther reflects on solitude and, following a period of illness, saying goodbye to a family home and the Welsh border landscape she had known for decades which inspired some of her greatest writing. In her characteristic style, she sees everything as a portal into a deeper spiritual understanding. She draws on the wealth of the Christian tradition, especially scripture and the monastic and Celtic spiritualities she knows so well, to help her navigate her way through not only the inevitable sense of loss that accompanies such change, but also to embrace the new possibilities it brings. The white stone of the title refers to a small pebble from the river that ran through her garden that she keeps in her pocket, but also strikes a note of hope referring to the new identity promised by God (Revelation 2.17). This is a book of simple, profound wisdom that will speak to many coping with change in their own lives.