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That which is Not Drawn
For more than three decades, artist William Kentridge has explored in his work the nature of subjectivity, the possibilities of revolution, the Enlightenment's legacy in Africa, and the nature of time itself. At the same time, his creative work has stretched the boundaries of the very media he employs. Though his pieces have allowed viewers to encounter the traditions of landscape and self-portraiture, the limits of representation and the possibilities for animated drawing, and the labor of art, a guide to understanding the full scope of his art has been available until now. For five days, Kentridge sat with Rosalind C. Morris to talk about his work. The result—That Which Is Not Drawn—is...
That Which Is Not Drawn
For more than three decades, William Kentridge has explored in his work the nature of subjectivity, the possibilities of revolution, the Enlightenment's legacy in Africa and the nature of time itself. While doing so, his work has pushed the boundaries of the media in which he poses these questions, allowing viewers to reflect with him on the tasks and the limits of representation, the traditions of landscape and self-portraiture, the possibilities for animated drawing and the labour of art. For five days, Kentridge sat with Rosalind Morris to talk about his work. In this book, the result of that conversation, they probe as deeply into the techniques by which Kentridge works as the psychic and philosophical underpinnings of his oeuvre. Kentridge elaborates several key concerns of his art, including the virtues of bastardy, the ethics of provisionality, the nature of translation and the activity of the viewer. And together they trace the migration of images across his works, and think through the possibilities for a revolutionary art that remains committed to its own transformation.
In the Place of Origins
A sophisticated, wide-ranging, theoretical account of how spirit mediums mediate the Thai experience of capitalist modernity.
Can the Subaltern Speak?
Acknowledgments p. ix Introduction Rosalind C. Morris p. 1 Part 1 Text "Can the Subaltern Speak?" revised edition, from the "History" chapter of Critique of Postcolonial Reason Gayatri Chakravorty Spivak p. 21 Part 2 Contexts and Trajectories Reflections on "Can the Subaltern Speak?": Subaltern Studies After Spivak Partha Chatterjee p. 81 Postcolonial Studies: Now That's History Ritu Birla p. 87 The Ethical Affirmation of Human Rights: Gayatri Spivak's Intervention Drucilla Cornell p. 100 Part 3 Speaking of (Not) Hearing Death and the Subaltern Rajeswari Sunder Rajan p. 117 Between Speaking and Dying: Some Imperatives in the Emergence of the Subaltern in the Context of U.S. Slavery Abdul Jan...
Accounts and Drawings from the Underground
In Accounts and Drawings from Underground, published in 2015, renowned artist William Kentridge and scholar Rosalind C. Morris brought us an unprecedented collaboration, taking pages of the 1906 Cash Book of the East Rand Proprietary Mines Corporation in South Africa and transforming them into something entirely new. While Kentridge contributed breathtaking landscape drawings in response to the transient terrain mining created, Morris plumbed the text of the cash book to generate a unique narrative account. Now, they revisit those ruined mines, with a visual and verbal addendum that provides an account of the ongoing metamorphosis of the world that gold mines created. Kentridge works on the ...
The Returns of Fetishism
"Fetishism (supposing that it existed)": a preface to the translation of Charles de Brosses's Transgression / Rosalind C. Morris -- Introduction: fetishism, figurism, and myths of enlightenment / Daniel H. Leonard -- A note on the translation / Daniel H. Leonard -- On the worship of fetish gods; or, a parallel of the ancient religion of Egypt with the present religion of Nigritia / Charles de Brosses ; translated by Daniel H. Leonard -- After De Brosses: fetishism, translation, comparativism, critique / Rosalind C. Morris -- A fetiche is a fetiche: no knowledge without difference of the word: rereading De Brosses -- Excursus: recontextualizing De Brosses, with Pietz in and out of Africa -- R...
Photographies East
Introducing Photographies East, Rosalind C. Morris notes that although the camera is now a taken-for-granted element of everyday life in most parts of the world, it is difficult to appreciate “the shock and sense of utter improbability that accompanied the new technology” as it was introduced in Asia (and elsewhere). In this collection, scholars of Asia, most of whom are anthropologists, describe frequent attribution of spectral powers to the camera, first brought to Asia by colonialists, as they examine the transformations precipitated or accelerated by the spread of photography across East and Southeast Asia. In essays resonating across theoretical, historical, and geopolitical lines, ...
The Optical Unconscious
The Optical Unconscious is a pointed protest against the official story of modernism and against the critical tradition that attempted to define modern art according to certain sacred commandments and self-fulfilling truths. The account of modernism presented here challenges the vaunted principle of "vision itself." And it is a very different story than we have ever read, not only because its insurgent plot and characters rise from below the calm surface of the known and law-like field of modernist painting, but because the voice is unlike anything we have heard before. Just as the artists of the optical unconscious assaulted the idea of autonomy and visual mastery, Rosalind Krauss abandons ...
Law and Disorder in the Postcolony
Are postcolonies haunted more by criminal violence than other nation-states? The usual answer is yes. In Law and Disorder in the Postcolony, Jean and John Comaroff and a group of respected theorists show that the question is misplaced: that the predicament of postcolonies arises from their place in a world order dominated by new modes of governance, new sorts of empires, new species of wealth—an order that criminalizes poverty and race, entraps the “south” in relations of corruption, and displaces politics into the realms of the market, criminal economies, and the courts. As these essays make plain, however, there is another side to postcoloniality: while postcolonies live in states of...
Illiberal Arts
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