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The Centre and the Margins in Eighteenth-Century British and Italian Cultures
The relationship between the cultural Centre and cultural Margins has fascinated scholars for generations. Who, or what, determines what shall constitute the 'Centre' of a culture, its sacred and canonical forms and substance, and what the Margins? There are significant examples of the Margins of one generation moving to become the Centre of another. These are more than mere shifts of fashion and represent nothing less than a seismic cultural shift. How, and in what circumstances, can such a ...
Politics and Culture in 18th-Century Anglo-Italian Encounters
This collection addresses Anglo-Italian influences, correspondences and relationships through the lens of an expansive notion of eighteenth-century political history, explored in its fecund dialogue with cultural history. Its multifaceted approach fleshes out the idea of the Enlightenment community of people linking and sharing different forms and structures of knowledge into a comprehensive picture of the Age of Reason. This book probes fields of great relevance for the cultural interpretation of historical experience, and composes a lively, and as yet unexplored, map of an interconnected European world. Anglo-Italian encounters are explored here primarily through the interweaving of political and cultural history, adding a valuable cog to contemporary insight into the cosmopolitan nature of Enlightenment Europe. The essays here range in scope from the public economy and international trade to finance, moral philosophy, the ethics and politics of translation, travel, the cosmopolitan impact of Italian music and taste, and the art of gardening.
The English Virtuoso
This study aims to overturn 20th-century criticism that cast the English virtuosi of the 17th and early 18th centuries as misguided dabblers, arguing that they were erudite individuals with solid grounding in the classics, deep appreciation for the arts and sincere curiosity about the natural world.
Anonymity in Eighteenth-Century Italian Publishing
This book focuses on the different forms in which authorship came to be expressed in eighteenth-century Italian publishing. It analyses both the affirmation of the “author function”, and, above all, its paradoxical opposite: the use of anonymity, a centuries-old practice present everywhere in Europe but often neglected by scholarship. The reasons why authors chose to publish their works anonymously were manifold, including prudence, fear of censorship, modesty, fear of personal criticism, or simple divertissement. In many cases, it was an ethical choice, especially for ecclesiastics. The Italian case provides a key perspective on the study of anonymity in the European context, contributing to the analysis of an overlooked topic in academic studies.
Rethinking Postmodern Subjectivity
What is postmodern literary subjectivity? How to talk about it without falling in the trap of negative hyper-essentialism or being seduced by exuberant lit speak? One way out of this dilemma, as this book suggests, is via a redefinition of the concept in the context of Emmanuel Levinas and his radical ethics. By defining subjectivity as an ethically charged act of language, Levinas provides a fresh perspective on the often trivialized aspects of postmodern poetics such as referentiality and affect construction strategies. The foregrounding of the ethical dimension of those poetic elements has far-reaching consequences for how we read postmodern texts and understand postmodernism in general. Thus, to prove the benefits of the Levinasian approach, the author applies it to the work of the canonical American postmodernist, Donald Barthelme, and explains the distinctly ethical character of his apparently surfictional experiments.
1650-1850
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After Taste. Critique of insufficient reason
After Taste is an inquiry into a field of study dedicated to the reconsideration, reconstruction and rehabilitation of the concept of Taste. Taste is the category, whose systematic, historical and actual dimensions have traditionally been located in a variety of disciplines. The actuality and potential of the study is based on a variety of collected facts from readings and experiences, which materialize in the following features: One concept (figurative Taste), two thinking traditions (analytic and synthetic/continental) and three interrelated dimensions (systematic, historic and actual) are presented in three volumes. As such, the study presents a salient comprehensive companion for wider r...
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Novel Relations
Ruth Perry describes the eighteenth-century transformation of the English family as a function of major social changes. She uses social history, literary analysis and anthropological kinship theory to examine texts by Austen, Richardson, Burney, and many others. This important study will be of interest to social and literary historians.
