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Ghosts of New Orleans
Both anthologies are about New Orleans: the past and the present. This author has grown up in this city, and there is a certain timelessness about it - the past definitely influences the present. All the plays are permeated with the sensuousness, decadence and bewilderment of brave and driven people living in chaos, confusion, extreme pleasure and delight. I hope you get a taste of this rich jambalaya of life as you experience these plays. Volume Two contains historical plays, mostly Victorian, with characters driven by stratified society and tradition. Knowledge of New Orleans history made me want to adapt Uncle Vanya. I loved the play but felt its details were too Russian. I took the bones...
Beckett at Greystones Bay
A young writer faces love, death, and the challenges of creating a joyful life.
Marilyn/God
The action takes place n the mind of Marilyn on an empty stage with a chair. In this play, Marilyn confronts voices in her head to validate her life as an actress. She finds in the afterlife that she must audition and interview to get into heaven and that her judges are her enemies and aborted children. ... taken from Samuel French website.
Degas in New Orleans
Charaters: 3 male, 6 female One Interior/Exterior Set A historical drama that explores Edgar Degas' scandalous visit to New Orleans in 1872. Edgar Degas, the French Impressionist painter, is torn between helping his relatives in America and pursuing a career as a painter. Fame and family obligations come to a head when he discovers he is still in love with his sister-in-law, who is now pregnant and blind. As Edgar struggles with his own ethical conundrum, he discovers that his aggressively charming brother has gone through all the family money in an attempt to save his uncle's sugar business.
New Orleans Voodoo: A Cultural History
There is no more compelling nor more spiritual city than New Orleans. The city's Roman Catholic roots and its blended French, Spanish, Creole and American Indian populations heavily influenced the rites and rituals that West Africans brought to Louisiana as enslaved laborers. The resulting unique Voodoo tradition is now deeply rooted in the area. Enslaved practitioners in the nineteenth century held Voodoo dances in designated public areas like Congo Square but conducted their secret rituals away from the prying eyes of the city. By 1874, some twelve thousand New Orleanians attended Voodoo queen Marie Laveau's St. John's Eve rites on the shores of Lake Pontchartrain. The Voodoo tradition continues in the Crescent City even today. Rory Schmitt and Rosary O'Neill study the altars, art, history and ceremonies that anchor Voodoo in New Orleans culture.
The Actor's Checklist
Based on the Constantin Stanislavki method of acting, THE ACTOR'S CHECKLIST examines Stanislavki's eight principles in an easily understood checklist format. This exciting acting guide also includes insights from other famous acting teachers, including Uta Hagen, Sanford Meisner, Lee Strasberg, Michael Chekov, and Stella Adler. Providing techniques for use in both classroom and production situations, this edition features new chapters on time, place, and history, as well as a new appendix that covers movement and vocal warmups.
Uncle Victor
Inspired by the classic Russian play, Uncle Vanya by Anton Chekhov. In this adaptation the author takes the structure and some of the characters from Uncle Vanya and places them on Waverly Plantation in 1899 Louisiana, where a new urban economy is destroying the country's agrarian base.
Afterlife -- Ghostly Comedies
As playgoers hear the voices in Marilyn Monroes head and encounter seven visitors to James Dean, they must rethink their relationships with cultural icons. As they ride through a Louisiana swamp in the middle of a hurricane, they must rethink their own lives and losses. ONeill can somehow enable her audiences to laugh uproariously while re-examining the lies they have been telling themselves. Katherine H. Adams, HUTCHINSON PROFESSOR OF ENGLISH, LOYOLA UNIVERSITY NEW ORLEANS Rosary ONeills third volume of plays certainly provides ample evidence of the playwrights versatility and artistic fertility. As our resident dramatist, our 112 year-old institution is so proud we have this gifted artist at this period of world history that has never needed more the power of theatre to confront, alert, and awaken. O. Aldon James PRESIDENT, NATIONAL ARTS CLUB, NEW YORK, NY Rosarys work has scope: From her Southern Gothic roots, her epic collection of plays about a dysfunctional Louisiana family, to that Boulevard of broken dreams, Hollywood. Finally on to her great insights into the worlds of other great artists of the past, Rosary leaves no stone unturned. Peter Bloch DIRECTOR, NEW YORK, NY
A Louisiana Gentleman and Other New Orleans Comedies
Both anthologies are about New Orleans: the past and the present. This author has grown up in this city, and there is certain timelessness about it - the past definitely influences the present. All the plays are permeated with the sensuousness, decadence and bewilderment of brave and driven people living in chaos, confusion, extreme pleasure and delight. I hope you get a taste of this rich jambalaya of life as you experience these plays. Volume One contains modern plays set in pre-Katrina New Orleans, the City that Care Forgot. After I founded Southern Repertory Theatre in New Orleans, we initiated a new play festival to develop new voices and a friend challenged me to write. My play, Wishin...
VOODOO IN NEW ORLEANS
"Interesting investigation and straightforward handling of sensational times and tricksters, of the cult of voodooism in all its manifestations. From its first known appearances in New Orleans of 200 years ago, here are the fetishes and formulae, the rites and dances, the cures, charms and gris-gris. Here were the witch-doctors and queens, and in particular a Doctor John who acquired fame and fortune, and Marie Laveau, who with her daughter dominated the weird underworld of voodoo for nearly a century." -Kirkus Reviews "Robert Tallant speaks with authority." -The New York Times "Much nonsense has been written about voodoo in New Orleans. . .here is a truthful and definitive picture." -Lyle Saxton Originally published in 1946, Voodoo In New Orleans examines the origins of the cult voodooism. The lives of New Orleans's most infamous witch doctors and voodoo queens have been re-created in this well-researched account of New Orleans's dark underworld.
