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The series presents outstanding monographic interpretations of Nietzsche's work as a whole or of specific themes and aspects. These works are written mostly from a philosophical, literary, communication science, sociological or historical perspective. The publications reflect the current state of research on Nietzsche's philosophy, on his sources, and on the influence of his writings. The volumes are peer-reviewed.
History, Religion, and American Democracy provides a fundamental review of four major themes: naturalism and supernaturalism in an American context; issues in the history of Judaism; American social philosophy; and the teaching and learning of democratic ideals in a pluralistic postmodern environment. This book provides a naturalistic context for the deep analysis of religious, theological, as well as social and political themes.
Queen Victoria was famously not amused, and the age to which she gave her name is not generally known for its playfulness or sense of fun. But play was pervasive in Victorian society and in the realist novels that were central to that culture. In Serious Play, J. Jeffrey Franklin examines the role of play in three areas—gambling, theatricality, and aesthetic theory—demonstrating in the process how the realist novel served as a vehicle for play while play in turn entered and helped define the form of realism. Franklin's analysis focuses on close readings of eight novels by Charlotte Bronte, George Eliot, Charles Kingsley, William Thackeray, and Anthony Trollope, as well as works by Immanu...
Many books have sought to introduce the writings of the infamous and influential philosopher, Friedrich Nietzsche, but Get Over Yourself puts matters the other way round. Rather than simply explaining his thought, it instead asks: what would Nietzsche make of us? What would he think of our 21st-century, digital age? In our time of identity politics, therapy culture, 'safe spaces', religious fundamentalism, virtue-signalling, Twitterstorms, public emoting, 'dumbing-down', digital addiction and the politics of envy, the book introduces Nietzsche by putting the man in our shoes. Get Over Yourself both uses Nietzsche's philosophy to understand our society, and takes our society to explain his philosophy.
Thus Spoke Zarathustra is Nietzsche's most problematic text. There appears to be no thematic connection between its four Parts and numerous sections. To make it even worse, the book contains a number of thematic contradictions. The standard approach has been a method of selective reading, that is, most critics select a few brilliant passages for edification and ignore the rest. This approach has turned Nietzsche's text into a collection of disjointed fragments. Going against this prevalent approach, T.K. Seung presents the first unified reading of the whole book. He reads it as the record of Zarathustra's epic journey to find spiritual values in the secular world. The alleged thematic contra...
An eclectic collection of essays centering on the intersection of art and philosophy, especially in the late 20th century.
No one theory of time is pursued in the essays of this volume, but a major theme that threads them together is Wolfson’s signature idea of the timeswerve as a linear circularity or a circular linearity, expressions that are meant to avoid the conventional split between the two temporal modalities of the line and the circle.
Mihai Spariosu here explores the significance of the closely linked concepts of play and aestheticism in philosophical and scientific discourse since the end of the eighteenth century. Spariosu points out that since its birth in archaic and classical Hellenic thought the concept of play has always been subject to the influences of various rational and prerational sets of values. Spariosu maintains that there have been not one but two major modern concepts of aestheticism: artistic aestheticism, related to a prerational mentality and introduced in modern thought by Schopenhauer and Nietzsche; and philosophicalscientific aestheticism, initiated by Kant and Schiller and shaped by rationalism. A...
This collection of essays deals with the spiritual crisis in modern society and focusses in particular on European writers of the 19th and 20th centuries. The essays trace themes of spiritual unease, narrowing of inner human space, impoverishment of the self, growing human isolation, dehumanization, and the writers' attempts to overcome this malaise. The essays also try to show how inhuman political and social environments and feelings of cultural impasse can become mitigated and reclaimed by socially conscious acts of creative writing. Obsession, self-delusion, creative frustration and personal tragedy are seen to haunt this kind of modern writing which is at the same time infused with the writers' profound sense of moral responsibility to society and marked, on occasion, by that rare experience of Epiphany and transcendence.