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While on holiday in Aberdaron on the Llyn Peninsula, the seeds of his challenge were sown. He was told he would struggle to find good food in the area, that it lacked any culinary gems...not convinced, he sought to prove this theory wrong. "Thirty Miles" offers a unique insight into the grass roots of food in the British Isles, as he explores a beautiful area of North Wales, tracking down all sources of food in the region. It is an inspired look at the people who have a deep passion for what they do, producing top quality ingredients and allowed the author an insight into their lives. It also finds him, lending a hand, catching fish, building a smokery and picking fruit from cliff tops. With over 100 easy to follow recipes, with the ingredients placed centre stage, it proves that cooking locally is possible and has many benefits. It offers both hope and a blueprint for the future of food in our country.
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A 688-page volume jam-packed with practical information, advice, tips, and quirky wisdom, its aim is to teach readers how to garden more simply and successfully.
A Delightful Memoir Of People And Places invites you to journey through the life of Harold MacKay. Follow Harold from his childhood in the 1930's through his years and experiences as a pastor, a father and a real estate agent, all the way into his retirement and after. Along the way, you will visit various communities across Canada and have the pleasure of meeting some of the strange, wonderful and endearing people who have enriched Harold's life.
Information Technology Law is the ideal companion for a course of study on IT law and the ways in which it is evolving in response to rapid technological and social change. The third edition of this ground-breaking textbook develops its unique examination of the legal processes and their relationship to the modern 'information society'. Charting the development of the rapid digitization of society and its impact on established legal principles, Murray examines the challenges faced with enthusiasm and clarity. Following a clearly-defined part structure, the text begins by defining the infomation society and discussing how it may be regulated, before moving on to explore issues of internet gov...
Exploring Travel and Tourism: Essays on Journeys and Destinations offers a broad treatment of topics in global travel/tourism studies through articles first presented at Travel and Tourism panels at Mid-Atlantic Popular/American Culture Association conferences between 2007 and 2010. Through archival research, close readings and case studies, the authors assembled here examine the significance of travel and the tourist experience over the last two hundred years, from Borneo to Cuba to Niagara Falls, and places in between. The contributions seek to unpack the meanings of nationality, postcolonialism, place, gender, class and the Self/Other dyad as they bump up against the framework of travel s...
A comprehensive bibliography and exhibition chronology of the world's greatest museum of the decorative arts and design. The Victoria and Albert Museum, or South Kensington Museum as it used to be known, was founded by the British Government in 1852, out of the proceeds from the Great Exhibition of 1851. Like the Exhibition, it aimed to improve the expertise of designers, and the taste of the public, by exposing them to examples of good design from all countries and periods. 2,500 publications have to date been produced by, for, or in association with the V&A. The National Art Library, which is part of the Museum, has prepared this detailed catalogue, supplemented by a secondary list of 500 other books closely related to the V&A. The 1,500 exhibitions and displays recorded include those held in the main Museum and at its branches, the Bethnal Green Museum (now the National Museum of Childhood) and the Theatre Museum, Covent Garden, and additionally those it has organized at external venues, in Great Britain and abroad. The exhibitions and publications are fully cross-referenced, and there are name, title and subject indexes to the whole work, as well as an explanatory introduction.
The Brodsky Center at Rutgers: Three Decades, 1986-2017, chronicles the history and artists involved with an internationally acclaimed print and papermaking studio at Rutgers University. Judith K. Brodsky conceived, founded, and directed the atelier, which, from its onset, provided state-of-the-arts technology and expertise for under-represented contemporary artists — women, Indigenous, and from diasporas of the African, Eastern European, Latin and Asian communities — to make innovative works on paper. These artistic creations presented new narratives to American and global visual arts from voices previously not heard or seen. Some of the artists featured in the book include Faith Ringgold, Elizabeth Catlett, Jaune Quick-to-See Smith, Miriam Schapiro, Pepón Osorio, Kiki Smith, and Richard Tuttle, among many other talented and influential printmakers and artists. Published in partnership with the Zimmerli Museum.
FATAL DOSAGE Becoming a nurse was the realization of Anne Capute’s lifelong dream. Now she had everything she wanted—until the nightmare began at Morton General Hospital. THE CRIME Licensed practical nurse Anne Capute administered a fatal dose of morphine to a dying patient, Norma Leanues. Anne claimed she was following common practice at Morton General, with a verbal approval by Dr. Hillier, to administer unrestricted doses of morphine as a humane antidote to the unbearable suffering of terminal cases. THE CHARGE One day after the death of Mrs. Leanues, Dr. Hillier was off on a European vacation, and Anne Capute was suspended. Three days later she was advised to retain a lawyer—she wo...
Shakespeare, Theory and Performance is a groundbreaking collection of seminal essays which apply the abstract theory of Shakespearean criticism to the practicalities of performance. Bringing together the key names from both realms, the collection reflects a wide range of sources and influences, from traditional literary, performance and historical criticism to modern cultural theory. Together they raise questions about the place of performance criticism in modern and often competing debates of cultural materialism, new historicism, feminism and deconstruction. An exciting and fascinating volume, it will be important reading for students and scholars of literary and theatre studies alike.