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Clogs and Bare Feet
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Nyoongar People of Australia
This publication provides an invaluable insight into the cultural upheaval of the Nyoongar people of Australia after British colonisation and how they have lived with racism and are now trying to adapt to the multicultural policies formulated for all Australians.
Giving this Country a Memory: Contemporary Aboriginal Voices of Australia
Aboriginal literature is a growing field with a rapidly expanding global audience. The book represents a range of writers; it includes highly acclaimed Aboriginal writers whose works are widely recognised (Kim Scott, Doris Pilkington Garimara, Melissa Lucashenko) and other writers whose works are on the ascendancy (Romaine Moreton and Jeanine Leane). This book contributes to the understanding of Aboriginal literature and of how these writers developed as writers. See www.cambriapress.com/books/9781604979114.cfm for reviews, author bio, and more book information on this Cambria Press publication. "This book is an essential resource for anyone with more than a passing interest in Aboriginal writing and Australian literature." - Philip Morrissey, Head of Australian Indigenous Studies, University of Melbourne
Reading Aboriginal Women's Life Stories
A wave of life stories and autobiographical narratives by Aboriginal women began in the late 1970s and gained momentum a decade later with the publication of Sally Morgan’s My Place (1987), which became a bestseller. While some of the books of the first wave focused mainly (if not exclusively) on the author, Aboriginal women’s life stories widened over time to include transgenerational histories of the family. Reading Aboriginal Women’s Life Stories is an important discussion of books that have shaped our understanding of contemporary Indigenous Australian literature. Anne Brewster provides an in-depth textual analysis of three key titles and situates them in relation to concepts of history, race, gender, family, storytelling and Aboriginality in modern Australia. “Looking back, we can recognise now what an extraordinary phenomenon these life stories are, and how they have changed understandings of Aboriginality and writing … The return of this classic book in a new edition is a welcome reminder that Anne Brewster’s careful, deeply respectful and informed approach to these writings is as necessary now as it ever was.” —Professor Gillian Whitlock FAHA
Darkness Subverted
English summary: At the heart of the Gothic novel proper lies the discursive binary of self and other, which in colonial literature was quickly filled with representations of the colonial master and his indigenous subject. Contemporary black Australian artists have usurped this colonial Gothic discourse, torn it to pieces, and finally transformed it into an Aboriginal Gothic. This study first develops the theoretical concept of an Aboriginal Gothic and then uses this term as a tool to analyse novels by Vivienne Cleven, Mudrooroo, Kim Scott, Sam Watson, and Alexis Wright as well as films directed by Beck Cole and Tracey Moffatt. It centres on the question of how a genuinely European mode, the Gothic, can be permeated and thus digested by elements of indigenous Australian culture in order to portray the current situation of Aboriginal Australians and to celebrate a recovered cultural identity.
Post-Multicultural Writers as Neo-cosmopolitan Mediators
‘Post-Multicultural Writers as Neo-Cosmopolitan Mediators’ argues the need to move beyond the monolingual paradigm within Anglophone literary studies. Using Lyotard’s concept of post as the future anterior (back to the future), this book sets up a concept of post-multiculturalism salvaging the elements within multiculturalism that have been forgotten in its contemporary denigration. Gunew attaches this discussion to debates in neo-cosmopolitanism over the last decade, creating a framework for re-evaluating post-multicultural and Indigenous writers in settler colonies such as Canada and Australia. She links these writers with transnational writers across diasporas from Eastern Europe, South-East Asia, China and India to construct a new framework for literary and cultural studies.
Footprints in the Wind
In a remote corner of the West Australian goldfields, two old prospectors watch from the veranda of a pub as a familiar vehicle speeds from the desert horizon and skids to a halt before them. A man climbs out and rushes wild-eyed into the front bar, a small bag held guardedly in one hand. He roughly demands a carton of beer then during a fumbling attempt to pay for it drops the bag and out tumble several rich specimens of gold. He frantically gathers them up, storms out of the room and then speeds away in his vehicle again. Less than an hour later he is found dead in it, the victim of a mystifying car crash. Stunned by the man's behaviour and what they've seen fall out of the bag, when the t...
Spatial Relations. Volume One.
These volumes present John Kinsella’s uncollected critical writings and personal reflections from the early 1990s to the present. Included are extended pieces of memoir written in the Western Australian wheatbelt and the Cambridge fens, as well as acute essays and commentaries on the nature and genesis of personal and public poetics. Pivotal are a sense of place and how we write out of it; pastoral’s relevance to contemporary poetry; how we evaluate and critique (post)colonial creativity and intrusion into Indigenous spaces; and engaged analysis of activism and responsibility in poetry and literary discourse. The author is well-known for saying he is preeminently an “anarchist, vegan, ...
Mudrooroo
"Mudrooroo: A Likely Story reads the fiction of one of Australia's most controversial and enigmatic literary figures against the backdrop of the likelihood that he assumed an Aboriginal identity to which he was not entitled. As he is neither black nor white, Colin Johnson (a.k.a. Mudrooroo) writes on issues of identity and belonging from the position of an outsider. The book argues that the experimental nature of Johnson's creative body of work coupled with the complexities of his 'in-between' status, mean that both the man and his writing evade neat categorisation within mainstream literary criticism. Also examined here is how the denial of his white mother impacts upon the gender politics of Johnson's fiction in a way that opens up exciting new possibilities for critical comment and textual analysis."--Back cover.
Entangled Subjects
Indigenous Australian cultures were long known to the world mainly from the writing of anthropologists, ethnographers, historians, missionaries, and others. Indigenous Australians themselves have worked across a range of genres to challenge and reconfigure this textual legacy, so that they are now strongly represented through their own life-narratives of identity, history, politics, and culture. Even as Indigenous-authored texts have opened up new horizons of engagement with Aboriginal knowledge and representation, however, the textual politics of some of these narratives – particularly when cross-culturally produced or edited – can remain haunted by colonially grounded assumptions about...
