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Art and Creativity in a New Guinea Society
The Kwoma, the subject of this book, are one of a number of peoples in the Sepik River region of northern Papua New Guinea who have created some of the most distinctive visual art in the Pacific. Through case studies of their painting, sculpture, architecture and ritual this book examines in detail how people in this society understand their art as a cultural phenomenon. This includes how they understand its origins in the spirit world, how they judge quality in art and how they understand artistic creativity. The book contrasts Kwoma beliefs with the radically different approach to art found in the modern West. The modern Western concept of art first emerged not in the eighteenth century in the Enlightenment, or even later, as anthropologists and art historians often assume, but several centuries earlier in the Renaissance. The book gives an account of radical changes that took place culturally in Europe between the twelfth and sixteenth centuries in the way human intellectual creativity was understood, and how this gave rise to a new concept of art, one that remains unchanged in the modern West today.
Anthropology, Art, and Aesthetics
The anthropology of art is a fast-developing area of intellectual debate and academic study. This beautifully illustrated volume is a unique survey of the current state of anthropological thinking on art and aesthetics. The distinguished contributors draw on contemporary anthropological theory and on classic anthropological topics such as myth and ritual to deepen our understanding of particular aesthetic traditions in their socio-cultural and historical contexts. Many of the essays present new findings based on recent field research in Australia, New Guinea, Indonesia, and Mexico; while others draw on classical anthropological accounts of the Trobriand Islanders of Melanesia and the Nuer of the Southern Sudan to form new arguments and conclusions. The introductory overview of the history of the anthropology of art, by Sir Raymond Firth, makes this volume especially useful for those interested in learning what anthropology has to contribute to our understanding of art and aesthetics in general.
Eating Their Words
Examines the figure of the cannibal as it relates to cultural identity in a wide range of literary and cultural texts.
Making Peoples
Now in paper This immensely readable book, full of drama and humor as well as scholarship, is a watershed in the writing of New Zealand history. In making many new assertions and challenging many historical myths, it seeks to reinterpret our approach to the past. Given New Zealand's small population, short history, and great isolation, the history of the archipelago has been saddled with a reputation for mundanity. According to James Belich, however, it is just these characteristics that make New Zealand "a historian's paradise: a laboratory whose isolation, size, and recency is an advantage, in which the grand themes of world history are often played out more rapidly, more separately, and t...
Cannibalism and the Colonial World
In Cannibalism and the Colonial World, published in 1998, an international team of specialists from a variety of disciplines - anthropology, literature, art history - discusses the historical and cultural significance of western fascination with the topic of cannibalism. Addressing the image as it appears in a series of texts - popular culture, film, literature, travel writing and anthropology - the essays range from classical times to contemporary critical discourse. Cannibalism and the Colonial World examines western fascination with the figure of the cannibal and how this has impacted on the representation of the non-western world. This group of literary and anthropological scholars analyses the way cannibalism continues to exist as a term within colonial discourse and places the discussion of cannibalism in the context of postcolonial and cultural studies.
Oceania
Includes detailed chapters devoted to each of the five major cultural regions of the Pacific: Australia, Melanesia, Micronesia, Polynesia, and the islands of Southeast Asia.
Parliamentary Papers
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Cannibal Talk
In this radical reexamination of the notion of cannibalism, Gananath Obeyesekere offers a fascinating and convincing argument that cannibalism is mostly "cannibal talk," a discourse on the Other engaged in by both indigenous peoples and colonial intruders that results in sometimes funny and sometimes deadly cultural misunderstandings. Turning his keen intelligence to Polynesian societies in the early periods of European contact and colonization, Obeyesekere deconstructs Western eyewitness accounts, carefully examining their origins and treating them as a species of fiction writing and seamen's yarns. Cannibalism is less a social or cultural fact than a mythic representation of European writi...
The Many Faces of Art Forgery
"[P]rovides a treasure trove of information that will engage readers intrigued by but new to the subject of art forgery as well as those with an art or art history background." Booklist, Starred Review Forgery is a provocative presence in the art world that captures attention in the press and inspires books about the exploits of famous fraudsters as well as scholarly articles and monographs. But missing until now has been a big-picture look at the phenomenon of art forgery. The Many Faces of Art Forgery provides a uniquetreatment that features historical highlights, philosophical insights, psychological profiles, economic theories, and legal statutes and cases. Key features include: The stor...
