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Years Out
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Guston in Time
In the years following his controversial 1970 exhibition at the Marlborough Galleries, Philip Guston was generally viewed as yesterday's scandal, a maverick who had abandoned abstract expressionism and, with it, the adulation of the art world. Few paid serious attention to the disturbing, profound work he was producing in his Woodstock studio. So when Ross Feld, a young novelist and critic, wrote a penetrating review of Guston's latest show, the artist sent him a letter of appreciation: "I felt . . . as if we knew each other and had many discussions about painting and literature. In a word—I felt recognition." Thus began a remarkable friendship. Feld, a frequent visitor to Guston's studio where the two men would talk late into the night, became Guston's intellectual sparring partner and sounding board—"I'll shout it right out," Guston wrote to Feld, "you inspire me to paint again!"—as well as the artist's most eloquent critic and champion. Guston in Time is Feld's final tribute, and it is at once a testament to a friendship, a provocative and richly nuanced study of one of the twentieth century's most important artists, and a portrait of a remarkable character.
Telling Stories
"I have never seen a book that deals so extensively and usefully with the aesthetic and critical climate surrounding Guston, the allegorical interpretation of his work, or the role of his Jewishness in his art and thinking. Telling Stories is an original and stimulating contribution."—Clark Coolidge
Zwilling's Dream
Left with a young son to raise - and a writer's block as large and unmoving as a pyramid - he moves to the Midwest in an attempt to lose himself in a more placid life."--BOOK JACKET.
Billboard
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Out of Time
Focusing on the thirty-three paintings that Philip Guston exhibited at the Marlborough Gallery in 1970, this in-depth account reconsiders the history of postwar American art and the conception of figuration in modern art history. Through a myriad of cultural touchstones, including evidence from literary and musical vogues of the period, Robert Slifkin examines the role of history as both artistic medium and creative catalyst to GustonÕs practice as a painter. Slifkin employs a wealth of visual examples, archival materials, and original scholarship to situate GustonÕs paintings within broader artistic debates of the time, using the cultural movement of Òthe sixtiesÓ as its orienting foreground. This historical framework provides an interface between the notions of time in art and time in the material world. Lively and edifying, SlifkinÕs comprehensive text productively complicates the prescribed traditions of postwar art history and, in turn, shifts our perception of Guston and his place in the domain of modern art.
Speaking with George Oppen
Seventeen interviews with George and Mary Oppen, conducted between 1968 and 1987, are here brought together for the first time. Two are fresh discoveries, while re-audited recordings of other interviews have given a new authoritative accuracy to the text. These conversations provide a unique account of a major American poet's evolution, through the Depression, war, exile and a return to poetry after two decades of silence. They span Oppen's early years as an Objectivist, his assessments of such as Ezra Pound and William Carlos Williams, and his views on the merits of his later contemporaries Allen Ginsberg, Jerome Rothenburg and others. Above all, it is Oppen's detailed commentary on his own writing, and his explanations of how individual poems unfold, which gives special importance to these new collected interviews.
The Utopian Moment in Contemporary American Poetry
This second edition includes all of the material from the first -- in-depth analyses of the work of such poets as George Oppen, John Ashbery, Robert Duncan, and William Bronk -- as well as a new Preface, and a lengthy chapter on the younger language poets.
Levinas and James
Bringing to light new facets in the philosophy of Emmanuel Levinas and William James, Megan Craig explores intersections between French phenomenology and American pragmatism. Craig demonstrates the radical empiricism of Levinas's philosophy and the ethical implications of James's pluralism while illuminating their relevance for two philosophical disciplines that have often held each other at arm's length. Revealing the pragmatic minimalism in Levinas's work and the centrality of imagery in James's prose, she suggests that aesthetic links are crucial to understanding what they share. Craig's suggestive readings change current perceptions and clear a path for a more open, pluralistic, and creative pragmatic phenomenology that takes cues from both philosophers.
What is in the Dwat?
"This book examines the coherent structure of the 'world' that Guston created. It offers, for the first time, a comprehensive account of how his symbolism operated and what it was intended to do."--Inside front cover
