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It is the first day of the Spanish Civil War, and fear of reprisals from the Fascists force Rosario's family to flee to France, leaving behind the newborn Paloma. But in wartorn Europe, their stay in France is short-lived as Hitler invades. This book presents the story of a family in conflict, set against the backdrop of Europe at war.
An in-depth story about a renegade in the Nigerian mob, involved in the international criminal practices of e-mail scams, syphoning national oil for sale, money laundering, narcotics trades, and other crimes.
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Doctor David Cooper is studying birds in a Mexican rainforest when he collects a Collared Trogon, a species of bird that is rare in that region. The bird falls between the buttress roots of a large tree. As David reaches down to pick it up, he cuts his hand on a sharp object imbedded in a root. With the help of his camp assistant, he digs the object out and finds that it is a shiny metal cube. Back at camp, he discovers that the weight of the cube is ten times that of an equivalent volume of uranium, the heaviest known stable metal. He calls a professor friend and is directed to a specialist in Fort Collins, Colorado. In Colorado, David comes under the protection of Rocky Mountain Investigations, under an FBI contract. But things go dramatically off course when the specialist is suddenly murdered and the cube stolen. With the help of two of RMI's investigators, David learns the probable location of his cube and pursues it, running afoul of a Mexican crime boss and nearly losing his life in the process. Will David succeed in avoiding danger and turning the tables on the criminals who have stolen the cube? Find out in the compelling conclusion of Legacy of a Trogon.
This book examines the relationship between post-Soviet societies in transition and the increasingly important role of their diaspora. It analyses processes of identity transformation in post-Soviet space and beyond, using macro- and micro-level perspectives and interdisciplinary approaches combining field-based and ethnographic research. The authors demonstrate that post-Soviet diaspora are just at the beginning of the process of identity formation and formalization. They do this by examining the challenges, encounters and practices of Ukrainians and Russians living abroad in Western and Southern Europe, Canada and Turkey, as well as those of migrants, expellees and returnees living in the conflict zones of Azerbaijan, Georgia and Moldova. Key questions on how diaspora can be better engaged to support development, foreign policy and economic policies in post-Soviet societies are both raised and answered. Russia’s transformative and important role in shaping post-Soviet diaspora interests and engagement is also considered. This edited collection will appeal to students and scholars of diaspora, post-Soviet politics and migration, and economic and political development.
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Prince Ferdinando Licata is a wealthy Sicilian landowner who uses his personal power and charm to placate Sicilian peasants and fight off Mussolini's fascists. As tensions rise in Italy during the 1930s, with increasingly violent consequences, Licata attracts many friends and far more enemies. Eventually implicated in a grisly murder, the prince flees to America, where he ends up navigating a turf war between Irish and Italian gangs of the Lower East Side. Violence explodes in unexpected ways as Licata gains dominance over New York, with the help of a loyal townsman with blood ties to the prince who is forced to abandon his fiancée in Sicily. The two men return to their native land at the height of World War II in an outrageously bold maneuver engineered by Licata and mobster Lucky Luciano. Both the prince and his kinsman assist US naval intelligence during the invasion of Sicily and, once they are back on their native soil, they proceed to settle unfinished business with their enemies and unravel old secrets in a stunning and sinister finale.
Recent critically and commercially acclaimed Latin American films such as XXY, Contracorriente, and Plan B create an affective and bodily connection with viewers that elicits in them an emotive and empathic relationship with queer identities. Referring to these films as New Maricón Cinema, Vinodh Venkatesh argues that they represent a distinct break from what he terms Maricón Cinema, or a cinema that deals with sex and gender difference through an ethically and visually disaffected position, exemplified in films such as Fresa y chocolate, No se lo digas a nadie, and El lugar sin límites. Covering feature films from Argentina, Chile, Cuba, Ecuador, Mexico, Peru, the United States, and Vene...