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The Royal Musical Association
Charting the history of the Royal Musical Association over 150 years: from scientific roots and the long resistance of British universities to music study, to bringing UK musicology to worldwide recognition. This book is the first comprehensive history of the Royal Musical Association. Drawing on extensive archival material and exploring a host of colourful people, it paints an absorbing picture of scholarly achievement in Britain across 150 years. Founded in London in 1874 as a learned society for musical research, the Association emulated the venerable Royal Society in welcoming diverse backgrounds, but went further by including women. Charting its scientific roots and the long resistance ...
Proceedings of the Musical Association; Volume 6
This book contains the proceedings of the Musical Association, a society dedicated to the study and promotion of music. It includes papers on various aspects of music, ranging from historical to theoretical, and provides a forum for scholars and practitioners to exchange ideas and information. The proceedings serve as an important resource for anyone interested in the study of music. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Million Years of Music
What is the origin of music? In the last few decades this centuries-old puzzle has been reinvigorated by new archaeological evidence and developments in the fields of cognitive science, linguistics, and evolutionary theory. Starting at a period of human prehistory long before Homo sapiens or music existed, Tomlinson describes the incremental attainments that, by changing the communication and society of prehuman species, laid the foundation for musical behaviors in more recent times. He traces in Neandertals and early sapiens the accumulation and development of these capacities, and he details their coalescence into modern musical behavior across the last hundred millennia
Repetition in Music
This monograph examines the place of repetition in perceived musical structure and in theories of music. Following a preface and introduction, there are four main chapters: 'Theory', 'Analysis', 'Metatheory and Meta-analysis', and 'Cognition and Metacognition'. Chapter 2 (Theory) sets out the principles underlying the creation and cognition of musical structure developed by the author in earlier studies, in the dual context of David Lewin's mathematically based theory of musical intervals and transformations and Gilles Fauconnier's concept of mental spaces (which was formulated in the context of cognitive science). Chapter 3 (Analysis) shows the theory in operation in relation to the first m...
Music and/as Process
Music and/as Process brings together ideas about music and the notion of process from different sub-fields within musicology and from related fields in the creative arts as a whole. These can be loosely categorised into three broad areas – composition, performance and analysis – but work in all three of these groups in the volume overlaps into the others, covers a broad range of other musicological sub-fields, and draws inspiration from, non-musicological fields. Music and/as Process comprises chapters written by a mix of scholars; some are leaders in their field and some are newer researchers, but all share an innovative and forward-thinking attitude to music research, often not well re...
