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Rudolf Reiss
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Commandant of Auschwitz
After the war, Rudolf Höss, commandant of Auschwitz, was captured, tortured and put on trial. This study analyzes all of Höss's post-war statements, checking them for internal consistency and comparing them with established historical facts.
Schwann Opus
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Neural Plasticity and Memory
A comprehensive, multidisciplinary review, Neural Plasticity and Memory: From Genes to Brain Imaging provides an in-depth, up-to-date analysis of the study of the neurobiology of memory. Leading specialists share their scientific experience in the field, covering a wide range of topics where molecular, genetic, behavioral, and brain imaging techniq
Catholicism and the Roots of Nazism
Derek Hastings here illuminates an important and largely overlooked aspect of early Nazi history, going back to the years after World War I--when National Socialism first emerged--to reveal its close early ties with Catholicism. Although an antagonistic relationship between the Catholic Church and Hitler's regime developed later during the Third Reich, the early Nazi movement was born in Munich, a city whose population was overwhelmingly Catholic. Focusing on Munich and the surrounding area, Hastings shows how Catholics played a central and hitherto overlooked role in the Nazi movement before the 1923 Beerhall Putsch. He examines the activism of individual Catholic writers, university students, and priests and the striking Catholic-oriented appeals and imagery formulated by the movement. He then discusses why the Nazis embarked on a different path following the party's reconstitution in early 1925, ultimately taking on an increasingly anti-Catholic and anti-Christian identity.
Music as Thought
Before the nineteenth century, instrumental music was considered inferior to vocal music. Kant described wordless music as "more pleasure than culture," and Rousseau dismissed it for its inability to convey concepts. But by the early 1800s, a dramatic shift was under way. Purely instrumental music was now being hailed as a means to knowledge and embraced precisely because of its independence from the limits of language. What had once been perceived as entertainment was heard increasingly as a vehicle of thought. Listening had become a way of knowing. Music as Thought traces the roots of this fundamental shift in attitudes toward listening in the late eighteenth and early nineteenth centuries. Focusing on responses to the symphony in the age of Beethoven, Mark Evan Bonds draws on contemporary accounts and a range of sources--philosophical, literary, political, and musical--to reveal how this music was experienced by those who heard it first. Music as Thought is a fascinating reinterpretation of the causes and effects of a revolution in listening.
Ulysses
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