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An investigation of the considerable influence of Wagner's stay in Zurich from 1849 to 1858 -- a period often discounted by scholars -- on his career. When the people of Dresden rose up against their king in May 1849, Richard Wagner went from Royal Kapellmeister to republican revolutionary overnight. He gambled everything, but the rebellion failed, and he lost all. Now a wantedman in Germany, he fled to Zurich. Years later, he wrote that the city was "devoid of any public art form" and full of "simple people who knew nothing of my work as an artist." But he lied: Zurich boasted arguably the world's greatest concentration of radical intellectuals and a vibrant music scene. Wagner was accepted...
Debt as a social relation at the intersection of history and anthropology in the precarious economies of nineteenth-century liberalism
This companion to the Classical Quarterly contains reviews of new work dealing with the literatures and civilizations of ancient Greece and Rome. Over 300 books are reviewed each year.
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Im 150. Todesjahr von Jeremias Gotthelf begannen die Herausgeber mit der historisch-kritischen Edition seiner nicht-literarischen Schriften, die den ersten Baustein zu einer historisch-kritischen Gesamtausgabe von Gotthelfs Werken bilden. Über das Ziel und mögliche Wege, Gotthelfs Gesamtwerk in seinem historisch-politischen Kontext zu edieren und zu kommentieren, berieten sich die Herausgeber mit erfahrenen Editionsspezialisten und Gotthelf-Forschern. Die hier versammelten Beiträge öffnen Wege zu einem neuen Bild Gotthelfs, in dessen erzählerischem Werk seine Erfahrungen als streitbarer Pfarrer, Schulreformer, Journalist und Kalendermann eingegangen sind.
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