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Three recent graduates of Harvard take a joyous, carefree summer road trip through Europe in 1909 in a roofless Fiat Touring car. Like most tourists, their major goal was to soak-in the history and culture of Italy, Switzerland, Germany and France. A major secondary purpose, however, was to permeate their trip with the joys and mirth of Folly, following the basic precepts of Desiderius Erasmus in his 1511 book In Praise of Folly: "Without some relish of folly, no banquet is pleasing. Nor is human life in general but a kind of fool's game." Follow these fun-loving young men in their escapades through Europe — one a precocious businessman, one a newly graduated lawyer, the third a Ph.D. candidate training to become a university professor. All three firmly believed that mirth is a condition of supreme well-being and happiness and therefore should pervasively characterize their trip. Prepare to laugh as you join this adventuresome journey of shenanigans and follies, told in a buoyant, exuberant manner against the backdrop of a Europe completely unaware of the looming catastrophe of World War I which would begin just five years later and cause 40 million deaths.
A biography that takes a penetrating look at Edgar Rice Burroughs, the writer who invented the superhero of the century--Tarzan--whose adventures continue to enthrall audiences. of photos.
The importance of Chicago in American culture has made the city's place in the American imagination a crucial topic for literary scholars and cultural historians. While databases of bibliographical information on Chicago-centered fiction are available, they are of little use to scholars researching works written before the 1980s. In The Chicago of Fiction: A Resource Guide, James A. Kaser provides detailed synopses for more than 1,200 works of fiction significantly set in Chicago and published between 1852 and 1980. The synopses include plot summaries, names of major characters, and an indication of physical settings. An appendix provides bibliographical information for works dating from 198...
Documents consist of departmental memos and reports, correspondence with individuals, and press clippings and press reports which deal with American Jewish groups during 1942-1945, as well as issues relating to Palestine, Jews and Jewish refugees during World War II.
A surprising number of Americans were involved with the so-called Dark Continent during the period when Western penetration led to conquest and colonial rule. The six Americans discussed are: Thomas Jefferson Bowen, who established the first American mission posts in Yorubaland; writer-explorer Paul du Chaillu; soldier-explorer Charles Chaille-Long; diplomat Henry Shelton Sanford; mining engineer John Hays Hammond; and taxidermist Carl Akeley. Illustrated.
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Interest in late antique saints is growing Takes an approach which combines historical and literary studies - will appeal cross disciplines to both groups, as well as appealing to scholars of religion International range of eminent contributors
The Italian author Giovanni Boccaccio has had a long and colourful history in English translation. This new interdisciplinary study presents the first exploration of the reception of Boccaccio’s writings in English literary culture, tracing his presence from the early fifteenth century to the 1930s. Guyda Armstrong tells this story through a wide-ranging journey through time and space – from the medieval reading communities of Naples and Avignon to the English court of Henry VIII, from the censorship of the Decameron to the Pre-Raphaelite Brotherhood, from the world of fine-press printing to the clandestine pornographers of 1920s New York, and much more. Drawing on the disciplines of book history, translation studies, comparative literature, and visual studies, the author focuses on the book as an object, examining how specific copies of manuscripts and printed books were presented to an English readership by a variety of translators. Armstrong is thereby able to reveal how the medieval text in translation is remade and re-authorized for every new generation of readers.
During the sixteenth century in England the logocentrism of the Middle Ages was confronted by a materialism that heralded the modern world. With remarkable tenacity in music, poetry, and painting, the orthodox aesthetic persisted as formal features which served as nonverbal signs and provided a subtext of form. In opposition, however, a radical aesthetic emerged to accommodate the new attention to physical nature. The growing force of materialism occasioned a fundamental rethinking of what an artifact might represent and how that representation might be achieved. This book explores the ontological and epistemological issues that poststructuralist thought raises about that shift in our cultural history. In doing so, it charts a course for Renaissance studies, now in disarray, that avoids the old positivism while not succumbing to the new nihilism.