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The Golden Wheel
The Golden Wheel is Julia Cooley Altrocchi’s fourth poetry anthology, upon which she was working when she died at age 79. The short poems chosen exemplify the broad spectrum of Julia’s aesthetic interests -- love, nature, optimism, philosophic reflection, the grandeur of history and travel, modern youth, and the meaning of Life. The editors, a son and a granddaughter, have enriched this anthology with a sampling of her youthful poetry as well as two powerful long narrative poems in their entirety -- Black Boat, which describes one of World War II’s least-known American racial injustices, and Chicago: Epic City, for which she won, at age 75, first prize in Poet Lore’s National Narrative Poem Contest. This collection of poetry illuminates the evolution and full sweep of Julia Cooley Altrocchi’s literary creativity and artistry.
Tarzan Forever
A biography that takes a penetrating look at Edgar Rice Burroughs, the writer who invented the superhero of the century--Tarzan--whose adventures continue to enthrall audiences. of photos.
OSS Foreign Nationalities Branch Files, 1942-1945
Documents consist of departmental memos and reports, correspondence with individuals, and press clippings and press reports which deal with American Jewish groups during 1942-1945, as well as issues relating to Palestine, Jews and Jewish refugees during World War II.
Carl Maria von Weber and the Search for a German Opera
Stephen C. Meyer details the intricate relationships between the operas Der FreischÃ1⁄4tz and Euryanthe, and contemporary discourse on both the "Germany of the imagination" and the new nation itself. In so doing, he presents excerpts from a wide range of philosophical, political, and musical writings, many of which are little known and otherwise unavailable in English. Individual chapters trace the multidimensional concept of German and "foreign" opera through the 19th century. Meyer's study of Der FreischÃ1⁄4tz places the work within the context of emerging German nationalism, and a chapter on Euryanthe addresses the opera's stylistic and topical shifts in light of changing cultural and aesthetic circumstances. As a result, Meyer argues that the search for a new German opera was not merely an aesthetic movement, but a political and social critique as well.
The Farther Frontier
A surprising number of Americans were involved with the so-called Dark Continent during the period when Western penetration led to conquest and colonial rule. The six Americans discussed are: Thomas Jefferson Bowen, who established the first American mission posts in Yorubaland; writer-explorer Paul du Chaillu; soldier-explorer Charles Chaille-Long; diplomat Henry Shelton Sanford; mining engineer John Hays Hammond; and taxidermist Carl Akeley. Illustrated.
The Invention of Saintliness
Interest in late antique saints is growing Takes an approach which combines historical and literary studies - will appeal cross disciplines to both groups, as well as appealing to scholars of religion International range of eminent contributors
The English Boccaccio
The Italian author Giovanni Boccaccio has had a long and colourful history in English translation. This new interdisciplinary study presents the first exploration of the reception of Boccaccio’s writings in English literary culture, tracing his presence from the early fifteenth century to the 1930s. Guyda Armstrong tells this story through a wide-ranging journey through time and space – from the medieval reading communities of Naples and Avignon to the English court of Henry VIII, from the censorship of the Decameron to the Pre-Raphaelite Brotherhood, from the world of fine-press printing to the clandestine pornographers of 1920s New York, and much more. Drawing on the disciplines of book history, translation studies, comparative literature, and visual studies, the author focuses on the book as an object, examining how specific copies of manuscripts and printed books were presented to an English readership by a variety of translators. Armstrong is thereby able to reveal how the medieval text in translation is remade and re-authorized for every new generation of readers.
The Subtext of Form in the English Renaissance
During the sixteenth century in England the logocentrism of the Middle Ages was confronted by a materialism that heralded the modern world. With remarkable tenacity in music, poetry, and painting, the orthodox aesthetic persisted as formal features which served as nonverbal signs and provided a subtext of form. In opposition, however, a radical aesthetic emerged to accommodate the new attention to physical nature. The growing force of materialism occasioned a fundamental rethinking of what an artifact might represent and how that representation might be achieved. This book explores the ontological and epistemological issues that poststructuralist thought raises about that shift in our cultural history. In doing so, it charts a course for Renaissance studies, now in disarray, that avoids the old positivism while not succumbing to the new nihilism.
