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THIS BOOK IS OUR ATTEMPT TO CHALLENGE THE CONTEMPORARY SOCIAL PERCEPTION AND EXISTING IDEAS ABOUT THE WELL-BEING OF CHILDREN IN CONFLICT WITH LAW (CCL). IT WOULD SEEK TO FURTHER THE GOAL OF ATTAINING A HOLISTIC AND COMPREHENSIVE PERSPECTIVE AND AN INTEGRATED PLAN OF ACTION FOR THEM THROUGH THE AMALGAMATION OF MUSIC AND PSYCHOLOGY. A NEW PARADIGM OF THOUGHT AND SUBSEQUENT SCIENTIFIC STEPS WERE FELT TO BE INDESPENSABLE TO ADDRESS THE EMERGING NEEDS AND DIFFICULTIES OF THE CCL. ALL THE CHAPTERS OF THIS BOOK HAVE BEEN SUITABLY DEVELOPED TO HELP READERS UNDERSTAND THIS MARGINALISED SECTION FROM ALL ASPECTS DEEMED TO BE OF THERAPEUTIC RELEVANCE.
This book is a rare and intriguing account of the midlife experience from a multidisciplinary perspective. It represents an insightful construal of midlife from the disciplines of philosophy, psychology, neuroscience, literature, sociology, and the fine arts. This volume provides an in-depth understanding of the middle phase of human lives which is the transitional phase at which a crucial transformation happens in the perspective towards life, society, and the world at large. It encompasses multiple methodological perspectives including empirical studies, descriptive and interpretative narratives, text analyses and revisiting existing literature. Since it addresses the issues of midlife from a multidisciplinary perspective, it would enable a wide variety of readers to connect with it. This book would be useful to the students, researchers and teachers of psychology, philosophy, neuroscience, literature, sociology, social work, film studies and the fine arts. It would also be an invaluable companion to professionals working in the field of Counselling Gerontology, Health and Social care, and NGOs.
On Swami Vivekananda, 1863-1902, Hindu saint and religious leader.
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The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them alo...
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning ...
Basu writes from a unique perspectiveneither that of the career bureaucrat nor that of the traditional researcher. Plunged into the deal-making, non-hypothetical world of policymaking, Basu suffers from a kind of culture shock and views himself at first as an anthropologist or scientist, gathering observations of unfamiliar phenomena. He addresses topics that range from the macroeconomicfiscal and monetary policiesto the granulardesigning grain auctions and policies to assure everyone has access to basic food. Basu writes about globalization and India's period of unprecedented growth, and he reports that at a dinner hosted by Prime Minister Manmohan Singh, President Obama joked to him, {28}You should give this guy some tips.
"The Oxford Handbook of Modern Indian Literatures is a compilation of scholarship on Indian literature from the 19th century to the present in a range of Indian languages. On one hand, because of reasons associated with national academic structures, publishing resources, and global visibility, English writing gets privileged over all the other linguistic traditions in the scholarship on Indian literatures. On the other hand, within the scholarship on regional language literary productions (in Hindi, Marathi, Bengali, etc.), the critical works and the surveys focus only on that particular language and therefore frequently suffer from a lack of comparative breadth and/or global access. Both re...