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Federico Fellini as Auteur
Federico Fellini as Auteur: Seven Aspects of His Films offers a comprehensive auteurist study of the renowned Italian director. Film scholar John C. Stubbs dispenses with a traditional film-career review of the man, focusing instead on the key elements of the filmmaker’s style, the influence of Carl Jung and dreams, the autobiographical depiction of childhood and adolescence, the portrait of the artist, the filmmaker’s working relationship with his wife, Fellini’s comic strategies, and his adaptation of works by others. Each of the aspects is fully contextualized. This examination of the critical elements in Fellini films offers a better understanding of the artistry that is uniquely Fellini.
The Films of Federico Fellini
Examines the cinematic vision of the renowned Italian filmmaker.
Federico Fellini
Career-spanning interviews with the director of La Strada, La Dolce Vita, The Nights of Cabiria, Juliet of the Spirits, and 81⁄2
I, Fellini
This lusty, high-spirited book was forged from conversations, conducted over the course of fourteen years, between Federico Fellini--the great master director-- and author Charolette Chandler.
Historical Dictionary of Italian Cinema
Italian cinema is now regarded as one of the great cinemas of the world. Historically, however, its fortunes have varied. Following a brief moment of glory in the early silent era, Italian cinema appeared to descend almost into irrelevance in the early1920s. A strong revival of the industry which gathered pace during the 1930s was abruptly truncated by the advent of World War II. The end of the war, however, initiated a renewal as films such as Roma città aperta (Rome Open City), Sciuscià (Shoeshine, 1946), and Ladri di biciclette (Bicycle Thieves, 1948), flagbearers of what soon came to be known as Neorealism, attracted unprecedented international acclaim and a reputation that only contin...
The Cinema of Federico Fellini
This major artistic biography of Federico Fellini shows how his exuberant imagination has been shaped by popular culture, literature, and his encounter with the ideas of C. G. Jung, especially Jungian dream interpretation. Covering Fellini's entire career, the book links his mature accomplishments to his first employment as a cartoonist, gagman, and sketch-artist during the Fascist era and his development as a leading neo-realist scriptwriter. Peter Bondanella thoroughly explores key Fellinian themes to reveal the director's growth not only as an artistic master of the visual image but also as an astute interpreter of culture and politics. Throughout the book Bondanella draws on a new archiv...
The Euro-American Cinema
From as scholar of mass communications, an international study of the influence of Hollywood movies on twentieth-century European art films. With McDonalds in Moscow and Disneyland in Paris and Tokyo, American popular culture is spreading around the globe. Regional, national, and ethnic cultures are being powerfully affected by competition from American values and American popular forms. This literate and lively study explores the spread of American culture into international cinema as reflected by the collision and partial merger of two important styles of filmmaking: the Hollywood style of stars, genres, and action, and the European art film style of ambiguity, authorial commentary, and bo...
The Gaze and the Labyrinth
In this, the first comprehensive book on Liliana Cavani, Gaetana Marrone redraws the map of postwar Italian cinema to make room for this extraordinary filmmaker, whose representations of transgressive eroticism, spiritual questing, and psychological extremes test the limits of the medium, pushing it into uncharted areas of discovery. Cavani's film The Night Porter (1974) created a sensation in the United States and Europe. But in many ways her critically renowned endeavors--which also include Francesco di Assisi, Galileo, I cannibali, Beyond Good and Evil, The Berlin Affair, and several operas and documentaries--remain enigmatic to audiences. Here Marrone presents Cavani's work as a cinema o...
Visconti
The first thorough study of the Italian filmmaker, Luchino Visconti.
The Cinema of Franceso Rosi
"Francesco Rosi (1922-2015) occupies a unique place in postwar Italian, indeed postwar world cinema. His films show a consistent formal balance while representing historical events as social emblems that examine, shape, and reflect the national identity. This important body of work, which has made a vital mark on the works of directors like Martin Scorsese remains to be examined for the English-speaking audience. This study addresses Rosi's films as mosaics fashioned out of "clips" collected from the various stages of production, most specifically from the director's own archival materials. My approach situates each film in its artistic and cultural context, but also attends to the specific forms and ethical commitment that characterize each film"--
