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Marlene
In the mid-1970s Charlotte Chandler met Marlene Dietrich at the star’s Paris apartment when her career was all but over. Elderly and in retirement, here was a screen legend who could, with the gift of hindsight give Chandler a fresh angle on her fascinating life.Marlene Dietrich began her career as a model in her native Berlin, becoming a stage and screen actress during the silent era, and a star with the worldwide success of The Blue Angel. Then, under the watchful eye of her mentor Josef von Sternberg, she broke America and became one of the brightest stars in Hollywood. A series of acclaimed pictures – Morocco, Shanghai Express, Blonde Venus, Destry Rides Again, among many others – ...
Ingrid
Ingrid Bergman was one of the biggest and most glamorous stars in Hollywood. She had starred in several now-classic films: Casablanca, Spellbound, Notorious, Gaslight; and her co-stars included such icons as Humphrey Bogart, Cary Grant and Gregory Peck. Already a movie star in her native Sweden, Ingrid Bergman became an instant sensation in Hollywood and the number one box-office star in the world. But the most dramatic event in her life took place off the screen when she made a film in Italy and began a passionate affair with her director, Roberto Rossellini. The scandal that followed left her exiled from America, ostracized from Hollywood, vilified by the press and separated from her young...
Marlene
In Marlene, the legendary Hollywood icon is vividly brought to life, based on a series of conversations with the star herself and with others who knew her well. In the mid-1970s Charlotte Chandler spoke with Marlene Dietrich in Dietrich’s Paris apartment. The star’s career was all but over, but she agreed to meet because Chandler hadn’t known Dietrich earlier, “when I was young and very beautiful.” Dietrich may have been retired, but her appearance and her celebrity—her famous mystique—were as important to her as ever. Marlene Dietrich’s life is one of the most fabulous in Hollywood history. She began her career in her native Berlin as a model, then a stage and screen actress...
Nobody's Perfect
Having been introduced to each other by Groucho Marx in the mid-1970s, Charlotte Chandler became the biographer of this legendary screenwriter/director. Charlotte made frequent trips to Hollywood to spend time with Wilder and his wife, Audrey. At every visit the tape-recorder was left on, and their conversations were preserved. Over time, Wilder introduced her to his friends, who also were taped for inclusion in the book. The result is an amazing wealth of riches, conversations that are as fresh and vital now as when they were recorded. Included are such greats as Gloria Swanson, William Holden, Ginger Rogers, Kirk Douglas, Audrey Hepburn, Jimmy Stewart, Tony Curtis, Jack Lemmon, Shirley Mac...
The Psychology of Soccer
Sports psychology, exploring the effects of psychological interventions on important performance-related outcomes, has become ever more popular and prevalent within elite level soccer clubs in the past decade as teams look to gain psychological as well as physiological advantages over their competitors. The Psychology of Soccer seeks to present the detailed understanding of the theories underpinning the psychological issues relating to soccer, along with practical insights into effective psychological interventions and strategies This book uses contemporary theory and research to elucidate key concepts and applied interventions. It includes world-leading expert commentaries of contemporary theoretical and applied approaches in understanding critical issues in soccer, and provides practical implications and insights into working effectively in soccer-related contexts. The Psychology of Soccer is an evidence-based resource to guide research and facilitate practice and will be a vital resource for researchers, practitioners, and coaches within the area of sport psychology and related disciplines.
I Know Where I'm Going
• The private Hepburn in her own words: Katharine Hepburn draws on a series of interviews Chandler conducted with the actress during the 1970s and 1980s. Chandler also interviewed director George Cukor; Hepburn co-stars Cary Grant and James Stewart; and Laurence Olivier, Ginger Rogers, and other screen luminaries. . • A Hollywood icon unveiled: Notoriously guarded, Katharine Hepburn talks candidly with Chandler about her marriage, her long affair with Spencer Tracy, co-stars and movies, and the seminal event in her life—the suicide of her brother, whom she adored, when they were both in their teens. With her unprecedented access to Hepburn, Chandler has written a biography completely different from all others, including Hepburn’s own guarded book about herself. .
New York Magazine
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Hello, I Must Be Going
When Charlotte Chandler called Groucho Marx for an interview, he answered the phone himself. Declining to be interviewed, he invited her over to his house so he could tell her no in person. After talking with her for hours, Groucho asked, "Why aren't you writing?" Hello, I Must Be Going is the story of Groucho and the Marx Brothers, told through Groucho's everyday conversations with Charlotte Chandler and his friends. And what a group of friends they were! Woody Allen, Jack Nicholson, Elliott Gould, Bill Cosby, Marvin Hamlisch, Betty Comden, Adolph Green, Sidney Sheldon, and dozens of others walk through the pages of this fascinating book. Anyone interested in Groucho or the Marx Brothers, or who wants to spend a few hours in fabulous company, will find this book irresistible.
Out of the Shadows
Film noir was a cycle in American cinema which first came into prominence during World War II, peaked in the 1950s, and began to taper off as a definable trend by 1960. Over the years, a group of films from the period emerged as noir standards, beginning with Stranger on the Third Floor in 1940. However, since film noir is too wide-ranging, it cannot be kept within the narrow limits of the official canon that has been established by film historians. Consequently, several neglected movies made during the classic noir period need to be re-evaluated as noir films. In Out of the Shadows: Expanding the Canon of Classic Film Noir, Gene Phillips provides an in-depth examination of several key noir ...
