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Contradictory to its core, the sitcom—an ostensibly conservative, tranquilizing genre—has a long track record in the United States of tackling controversial subjects with a fearlessness not often found in other types of programming. But the sitcom also conceals as much as it reveals, masking the rationale for socially deviant or deleterious behavior behind figures of ridicule whose motives are rarely disclosed fully over the course of a thirty-minute episode. Examining a broad range of network and cable TV shows across the history of the medium, from classic, working-class comedies such as The Honeymooners, All in the Family, and Roseanne to several contemporary cult series, animated pro...
Forget everything you think you know about Nature. Fahim Amir’s award-winning book takes pure delight in posing unexpected questions: Are animals victims of human domination, or heroes of resistance? Is Nature pristine and defenceless, or sentient and devious? Is being human really a prerequisite for being political? In a world where birds on Viagra punch above their weight and termites hijack the heating systems of major cities, animals can be recast as vigilantes, agitators, and public enemies in their own right. Under Amir’s magic spell, pigs transform from slaughterhouse innocents into rioting revolutionaries, pigeons from urban pests into unruly militants, honeybees from virtuous fu...
This work analyzes dramatic structures, from Sophocles to Orson Welles and the 21st century cinema, all from the viewpoint of Hegelian dialectic. Utilizing this dialectical process the author demonstrates its particular application to the writing of a screenplay, which should not be considered a simple schematic or formulaic blueprint but legitimate dramatic literature.
This work searches Shakespeare's history and Roman plays to find the raw materials of English national consciousness and identity. The messages of Shakespeare's history plays are not principally the plots or "facts" of the dramas but the attitudes and imaginings they elicited in audiences. Reading Shakespeare through the lens of national identity is a study almost as old as the plays themselves, and many scholars have found various articulations of nationhood in Shakespeare's plays. This book argues that Shakespeare's histories furnished modern England with a curriculum for constructing a national identity, a confidence of language and culture, and a powerful new medium through which to communicate and express this negotiated identity. Highlighting the application of semiotics, it studies the playwright's use of symbols, metonymy, symbolic codes, and metaphor. By examining what Shakespeare and playgoers remembered and forgot, as well as the ways ideas were framed, this book explores how a national identity was crafted, contested, and circulated.
Using the character as a central element, this volume provides insights into the Theatre of the Absurd, highlighting its specific key characteristics. Adopting both semiotic-structuralist and mathematical approaches, its analysis of the absurdist character introduces new models of investigation, including a possible algebraic model operating on the scenic, dramatic and paradigmatic level of a play, not only exploring the relations, configurations, confrontations, functions and situations but also providing necessary information for a possible geometric model. The book also takes into consideration the relations established among the most important units of a dramatic work, character, cue, décor and régie, re-configuring the basic pattern. It will be useful for any reader interested in analyzing, staging or writing a play starting from a single character.
This book explores the contributions of East Asian traditions, particularly Buddhism and Daoism, to environmental philosophy in dialogue with European philosophy. It critically examines the conceptions of human responsibility toward nature and across time presented within these traditions. The volume rethinks human relationships to the natural world by focusing on three main themes: Daoist and Eurodaoist perspectives on nature, human responsibility toward nature, and Buddhist perspectives on life and nature. By way of discussing East Asian traditions and European thinkers, this collection reveals that the impact of humanity on the environment is shaped not only by distinctive modes of econom...
We all know that Google stores huge amounts of information about everyone who uses its search tools, that Amazon can recommend new books to us based on our past purchases, and that the U.S. government engaged in many data-mining activities during the Bush administration to acquire information about us, including involving telecommunications companies in monitoring our phone calls (currently the subject of a bill in Congress). Control over access to our bodies and to special places, like our homes, has traditionally been the focus of concerns about privacy, but access to information about us is raising new challenges for those anxious to protect our privacy. In Privacy Rights, Adam Moore adds informational privacy to physical and spatial privacy as fundamental to developing a general theory of privacy that is well grounded morally and legally.
As the 2020s began, protestors filled the streets, politicians clashed over how to respond to a global pandemic, and new scrutiny was placed on what rights US citizens should be afforded. Newly revised and expanded to address immigration, gay rights, privacy rights, affirmative action, and more, The Bill of Rights in Modern America provides clear insights into the issues currently shaping the United States. Essays explore the law and history behind contentious debates over such topics as gun rights, limits on the powers of law enforcement, the death penalty, abortion, and states' rights. Accessible and easy to read, the discerning research offered in The Bill of Rights in Modern America will help inform critical discussions for years to come.
Enchanting, powerful, horrific, beautiful, wise, deadly, compassionate, seductive. Women in Buddhist story and image are all these things and more. She takes the signs of the ancient goddess - the lotus, the sacred grove, the serpent, the sacrifice - and uses them in astonishing new ways. Her story is one of suffering and great trials, and through it all an unquenchable longing to be free. This beautifully illustrated work is as layered and subversive as mythology itself. Based directly on authentic Buddhist texts, and informed with insights from psychology and comparative mythology, it takes a fresh look at how Buddhist women have been depicted by men and how they have depicted themselves.
The first philosophical study devoted solely to acting, offering a meditation on the spillover from acting to life