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Each year writers and editors submit over three thousand grammar and style questions to the Q&A page at The Chicago Manual of Style Online. Some are arcane, some simply hilarious—and one editor, Carol Fisher Saller, reads every single one of them. All too often she notes a classic author-editor standoff, wherein both parties refuse to compromise on the "rights" and "wrongs" of prose styling: "This author is giving me a fit." "I wish that I could just DEMAND the use of the serial comma at all times." "My author wants his preface to come at the end of the book. This just seems ridiculous to me. I mean, it’s not a post-face." In The Subversive Copy Editor, Saller casts aside this adversaria...
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In this beautifully designed and richly illustrated book, Diane Eaton and Sheila Urbanek re-create Paul Kane's heroic journey across Canada and bring to life the people, places, and events he experienced. Determined to document the lives and customs of the Indians of the Northwest, Paul Kane set out in 1845 to cross the continent 'with no companions but my portfolio and a box of paints, my gun and a stock of ammunition.' Travelling via the Hudson's Bay Company fur brigade routes, he made his way from the Great Lakes to the Pacific coast and back again. When he returned to Toronto in the fall of 1848, he brought back some 500 field sketches as well as a remarkable collection of Indian 'curios...
Visions of Glory brings together twenty-two images and twenty-two brisk essays, each essay connecting an image to the events that unfolded during a particular year of the Civil War. The book focuses on a diverse set of images that include a depiction of former slaves whipping their erstwhile overseer distributed by an African American publisher, a census graph published in the New York Times, and a cutout of a child's hand sent by a southern mother to her husband at the front. The essays in this collection reveal how wartime women and men created both written accounts and a visual register to make sense of this pivotal period. The collection proceeds chronologically, providing a nuanced hist...
In The Making and Unmaking of a University Museum Young elucidates the relationship between museums and communities by examining the nineteenth-century social context of the family who bequeathed their collection to McGill University and the collection's fate in an academic institution. Tracing the museum's history from its founding by David Ross McCord, he emphasizes the centrality of elite women to the culture of the museum and its survival in the twentieth century, the museum's importance as the collective memory of Montreal's English-speaking elite, and the difficulty academic historians have had in dealing with material history.
CD-ROM contains: Chapters from text -- Glossary.