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Paul Kane's Great Nor-West
In this beautifully designed and richly illustrated book, Diane Eaton and Sheila Urbanek re-create Paul Kane's heroic journey across Canada and bring to life the people, places, and events he experienced. Determined to document the lives and customs of the Indians of the Northwest, Paul Kane set out in 1845 to cross the continent 'with no companions but my portfolio and a box of paints, my gun and a stock of ammunition.' Travelling via the Hudson's Bay Company fur brigade routes, he made his way from the Great Lakes to the Pacific coast and back again. When he returned to Toronto in the fall of 1848, he brought back some 500 field sketches as well as a remarkable collection of Indian 'curios...
Prophecy of the Swan
Prophecy of the Swan covers twenty-nine years in the history of the Peace River valley in northeastern British Columbia. A vivid portrayal of life in some of the most isolated fur trade posts, it describes the intense competition between the North West and the Hudson's Bay companies, the individuals who were involved in exploration and commerce, and, finally, the shocking 'massacre of St. Johns.' It is unique in its integration of historic information and archaeological discovery, as it combines information recovered from many years of archaeological excavation with first-hand impressions of day-to-day life drawn from the few existing journals kept by company clerks.
Trading Beyond the Mountains
During the late eighteenth and early nineteenth centuries, the North West and Hudson�s Bay companies extended their operations beyond the Rocky Mountains to the Pacific Ocean. There they encountered a mild and forgiving climate and abundant natural resources and, with the aid of Native traders, branched out into farming, fishing, logging, and mining. Following its merger with the North West Company in 1821, the Hudson�s Bay Company set up its headquarters at Fort Vancouver on the lower Columbia River. From there, the company dominated much of the non-Native economy, sending out goods to markets in Hawaii, Sitka, and San Francisco. Trading Beyond the Mountains looks at the years of exploration between 1793 and 1843 leading to the commercial development of the Pacific coast and the Cordilleran interior of western North America. Mackie examines the first stages of economic diversification in this fur trade region and its transformation into a dynamic and distinctive regional economy. He also documents the Hudson�s Bay Company�s employment of Native slaves and labourers in the North West coast region.
Creative Subversions
In this richly illustrated book, Margot Francis explores how whiteness and Indigeneity are articulated through four icons of Canadian identity -- the beaver, the railway, the wilderness of Banff National Park, and "Indianness" -- and the contradictory and contested meanings they evoke. These seemingly benign, even kitschy, images, she argues, are haunted by ideas about race, masculinity, and sexuality that circulated during the formative years of Anglo-Canadian nationhood. Juxtaposing these nostalgic images with the work of contemporary Canadian artists, she investigates how everyday objects can be re-imagined to challenge ideas about history, memory, and national identity.
On the Street Where You Live
Today, the streets of Victoria are busy thoroughfares. Yesterday, they were simple trails, used by the Hudson's Bay Company men and the First Nations people who traded with them and helped build their fort. Then came the gold miners, followed by the bankers and businessmen, sailors and saloon-keepers, poets, postmasters, architects and astronomers. They're remembered in Victoria's city's streets . . .and every street name tells a story: Courtney Street is a misspelled memorial to Captain George W. Courtenay, whose Constancewas one of the first of Her Majesty's vessels to sail into Esquimalt Harbour in the 1840s. Fan Tan Alley provides a tantalizing glimpse into 1800s Chinatown, where Fan Tan gambling dens existed alongside brothels and opium factories that fuelled the gamblers' fortunes. Rattenbury Place is named for the ill-fated architect who designed the Empress Hotel and the Parliament Buildings. Danda's knack for colourful, no-nonsense writing makes history come alive. You'll sympathize with the characters she writes about, enjoy them and through their eyes experience 19-century Victoria in a way you've never experienced it before.
Old Man’s Playing Ground
When Hudson’s Bay Company surveyor Peter Fidler made contact with the Ktunaxa at the Gap of the Oldman River in the winter of 1792, his Piikáni guides brought him to the river’s namesake. These were the playing grounds where Napi, or Old Man, taught the various nations how to play a game as a way of making peace. In the centuries since, travellers, adventurers, and scholars have recorded several accounts of Old Man’s Playing Ground and of the hoop-and-arrow game that was played there. Although it has been destroyed, much can be learned from an interdisciplinary study of Old Man’s Playing Ground. Oral traditions of the Piikáni and other First Nations of the Northwest Plains and Inte...
The Trickster Shift
The Trickster Shift not only presents some of the most stunningly original examples of contemporary Native art but also allows the artists to offer their own insights into the creative process and the nature of Native humour.
Picturing the Land
The vast Canadian landscape has captured the imagination of visual artists since the first European contact. Although artistic engagement with the landscape has a long history, some periods have drawn considerable critical attention, while others have been left almost unexamined. Picturing the Land surveys work from coast to coast, from the earliest maps to postwar painting in English and French Canada, To provide a comprehensive view of Canadian landscape art. Emphasizing the ways in which social, economic, and political conditions determine representation, Marylin McKay moves beyond canonical images and traditional nationalistic interpretations by analyzing Canadian landscape art in relation to different concepts of territory. Taking an expansive and inclusive perspective on Canadian landscape art, McKay depicts this tradition in all its diversity and draws it into the larger body of Western landscape art, broadening the horizon of future study, appreciation, and criticism. Richly illustrated and filled with sophisticated and innovative commentary, Picturing the Land provides new and distinct histories of the landscape art of French and English Canada.
