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History holds many examples of political activists who have paid for their politics with their lives. From military suppressions to secretly engineered assassinations, the price of revolutionary politics is often dear, especially when the revolutionaries are writers, whose only offences against the state are their words. In a powerful study of three victims of political assassination, Barbara Harlow explores the intricate relations between politically engaged imaginative writing and participation in revolutionary struggles. Ghassan Kanafani in Palestine, Roque Dalton in El Salvador and Ruth First in South Africa laboured on behalf of social revolutions that none of them lived to see. In all three cases, the result of the armed conflict in which they were involved has been negotiated settlements with the enemy. After Lives explores the complex tensions that motivate and condition political writing, as well as its legacies to the movements in whose names it was undertaken. A product of political passion and engagement, but also an impressive work of scholarship, After Lives measures the costs and benefits that accrue to writers who put their lives and works on the line.
This is a contribution to the debate on the role of the European Union which looks at the position of women in the institutions of the EU. The book tracks the development and implementation of policy affecting women, and analyzes the role of feminism in the political and legal history of the EU.
From tabloid exposes of child prostitution to the grisly tales of Jack the Ripper, narratives of sexual danger pulsated through Victorian London. Expertly blending social history and cultural criticism, Judith Walkowitz shows how these narratives reveal the complex dramas of power, politics, and sexuality that were being played out in late nineteenth-century Britain, and how they influenced the language of politics, journalism, and fiction. Victorian London was a world where long-standing traditions of class and gender were challenged by a range of public spectacles, mass media scandals, new commercial spaces, and a proliferation of new sexual categories and identities. In the midst of this ...
Kosova or Kosovo is a dependent region of Serbia, part of the former country of Yugoslavia. It was part of the province of Dalmatia in the Austro-Hungarian Empire before 1919.
Literary ombudsman John Crace never met an important book he didn't like to deconstruct. From Salman Rushdie to John Grisham, Crace retells the big books in just 500 bitingly satirical words, pointing his pen at the clunky plots, stylistic tics and pretensions of Big Ideas, as he turns publishers' golden dream books into dross.
Rockabilly had its roots in country, blues, folk, hillbilly, R&B, boogie-woogie and most other indigenous Deep South forms of popular song that you could strum three chords along to or howl down a cheap microphone. It was young people's music, made almost entirely by the first wave of teenagers, despised by adults in general and the country music establishment in particular. Its pioneer exponent, Elvis, eventually become respectable in the eyes of straight society but he was the exception. 1950s rockabilly was a spontaneous outburst of spirited three-chord songs, tiny record labels, primitive studios, fiercely partisan audiences and wild-eyed, driven performers who weren't even sure that their musical careers would last the week. The book charts the rise (and fall) of the original 50s wave of rockabillies. It will also follow the progress of the music, in clubs, on radio, TV and film, pinpointing the key record labels and important regional centres, showing how fashions eventually changed and left rockabilly high and dry, far too wild and primitive in an era of smoother sounds. Décharné traces the music to its Memphis roots.
In the world of globalized media, provocative images trigger culture wars between traditionalists and cosmopolitans, between censors and defenders of free expression. But are images censored because of what they mean, what they do, or what they might become? And must audiences be protected because of what they understand, what they feel, or what they might imagine? At the intersection of anthropology, media studies, and critical theory, Censorium is a pathbreaking analysis of Indian film censorship. The book encompasses two moments of moral panic: the consolidation of the cinema in the 1910s and 1920s, and the global avalanche of images unleashed by liberalization since the early 1990s. Expl...
The somewhat enigmatic title of this book, by one of Britain’s most distinguished scientists in collaboration with a highly respected natural history writer, belies the arresting nature of its content. Eighty years ago, Miriam Rothschild’s father, Charles Rothschild – said by some to have been the inventor of nature conservation in Britain – first proposed the establishment of a network of 280 national nature reserves throughout the country to preserve the cream of its wildlife habitats – a monumental task. In this book she and her co-author discuss the efforts that went into the selection of these reserves and compare the state then and now of 182 of the English sites and their wildlife – depressing reading in many cases. The authors hope to spur everyone interested in the survival of the British countryside to take remedial action to safeguard it before it is too late. Published by Balaban in association with Harley Books, now Apollo Books, who are sole UK and European distributors.
To a substantial degree cinema has served to define the perceived character of the peoples and nations of the Middle East. This book covers the production and exhibition of the cinema of Morocco, Algeria, Tunisia, Egypt, Palestine, Jordan, Lebanon, Syria, Iraq, the United Arab Emirates, Saudi Arabi, Yemen, Kuwait, and Bahrain, as well as the non-Arab states of Turkey and Iran, and the Jewish state of Israel. This second edition of Historical Dictionary of Middle Eastern Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on individual films, filmmakers, actors, significant historical figures, events, and concepts, and the countries themselves. It also covers the range of cinematic modes from documentary to fiction, representational to animation, generic to experimental, mainstream to avant-garde, and entertainment to propaganda. This book is an excellent resource for students, researchers, and anyone wanting to know more about Middle Eastern cinema.
Born in 1953 to Anglo-Jewish/Nigerian parents, Pauline Black was subsequently adopted by a white, working class family in Romford. Never quite at home there, she escaped her small town background and discovered a different way of life - making music. Lead singer for platinum-selling band The Selecter, Pauline Black was the Queen of British Ska. The only woman in a movement dominated by men, she toured with The Specials, Madness, Dexy's Midnight Runners when they were at the top of the charts - and, sometimes, on their worst behaviour. From childhood to fame, from singing to acting and broadcasting, from adoption to her recent search for her birth parents, Black By Design is a funny and enlightening story of music, race, family and roots.