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"Particle size classification": plastic insert approximately 10.5 x 4.5 inches.
Geology is the Component of Encyclopedia of Earth and Atmospheric Sciences, in the global Encyclopedia of Life Support Systems (EOLSS)), which is an integrated compendium of twenty Encyclopedias. The theme on geology in the Encyclopedia of Earth and Atmospheric Sciences, presents many aspects of geology under the following nine different topics: The Organized Earth.; Tectonics and Geodynamics; Igneous and Metamorphic Petrology; Sedimentary Geology and Paleontology; Overview of the Mineralogical Sciences; Geology of Metallic and Non-Metallic Mineral Resources; Regional Geology; Geology of Petroleum, Gas, and Coal; Environmental and Engineering Geology.
Bringing together for the first time the two original Pigment Compendium volumes, the collection forms an essential guide for identification of historical pigment compounds, and details pigment names and synonyms.
Westminster Abbey contains the only surviving medieval Cosmatesque mosaics outside Italy. They comprise: the ‘Great Pavement’ in the sanctuary; the pavement around the shrine of Edward the Confessor; the saint’s tomb and shrine; Henry III’s tomb; the tomb of a royal child, and some other pieces. Surprisingly, the mosaics have never before received detailed recording and analysis, either individually or as an assemblage. The proposed publication, in two volumes, will present a holistic study of this outstanding group of monuments in their historical architectural and archaeological context. The shrine of St Edward is a remarkable survival, having been dismantled at the Dissolution and...
This book is about the stone used to build the castles of Edward I in North West Wales. It provides a description of the available geological resources and the building materials used in the construction of Caernarfon, Conwy, Harlech and Beaumaris Castles. It takes a broad view of this subject, placing the stone used in the castles in the context of both earlier and later buildings across the region of study, from the Neolithic up until the present day. The book will serve as a useful source book for geologists, archaeologists, architects, representatives of the natural stone industry, historians and cultural heritage management professionals specifically and for academic and non-academic communities, travellers and tourism industry operators in general.
Illuminated with illustrations, an exploration of medieval manuscript production that offers insight into both the early history of the book and life in the Middle Ages. This book takes the reader on an immersive journey through medieval manuscript production in the Latin Christian world. Each chapter opens with a lively vignette by a medieval narrator—including a parchment maker, scribe, and illuminator—introducing various aspects of manuscript production. Sara J. Charles poses the question “What actually is a scriptorium?” and explores the development of the medieval scriptorium from its early Christian beginnings through to its eventual decline and the growth of the printing press. With the written word at the very heart of the Christian monastic movement, we see the immense amount of labor, planning, and networks needed to produce each manuscript. By tapping into these processes and procedures, The Medieval Scriptorium helps us to experience medieval life through the lens of a manuscript maker.
"Both medieval panel painters and those working in the fifteenth century created works that evoke the glow of precious stones, the sheen of polished gold and silver, and the colorful radiance of stained glass. Yet their approach to rendering these materials is markedly different. Marjolijn Bol explores some of the reasons behind this radical transformation by telling the history of the two oil painting techniques used to depict everything that glistens and glows-the varnish and the glaze. For more than a century after his death, the fifteenth century painter Jan van Eyck was widely credited with the invention of varnish and oil paint, on account of his unique visual realism. This was a myth,...
Interconnected investigations between conservators, historians, heritage scientists and museum professionals centre on objects that were essential to medieval Christianity in Scandinavia (c. 1100‒1530). Through new and diverse physical data from polychrome sculptures, shrines, winged altarpieces and painted banners, the authors probe a range of issues and problems, from original devotional functions and changing appearances, to the impacts of changing liturgies, locations and priorities. This book highlights the diversity of theoretical and practical approaches to sacred medieval religious objects, and brings together new findings related to the transformations of these objects since the Reformations. Contributors are Karl Christian Alvestad, Alexandra Böhme, David Buti, Francesco Caruso, Aoife Daly, Tine Frøysaker, Elina Gertsman, Irka Hajdas, Poul Grinder Hansen, Karoline Kjesrud, Lena Liepe, Hana Lukasova, Maite Maguregui, Austin Nevin, Elena Platania, Anne Irene Riisøy, Katrine S. Scharffenberg, Jón Viðar Sigurðsson, Calin Constantin Steindal, Noëlle L.W. Streeton, Einar Uggerud, Anna Vila, and Jørgen Wadum.
In this book, archaeologists, classicists, and specialists in Christian origins examine the social and religious life of ancient Corinth. The interdisciplinary contributions present new materials and findings on the themes of Greek and Roman identities, social stratification, and local religion.