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'Subtle, wry, intimate.' - The Times 'I LOVED IT! All the best bits of Barbara Pym, with a little Jane Austen - on speed' -Sarah Salway Hidden within the confines of The Royal Institute of Prehistorical Studies, Sybil is happy enough with her work - and her love life. Then to her dismay, her old adversary, assertive and glamorous Helen Hansen, is appointed Head of Trustees. To add insult, Helen promptly seduces Sybil's boyfriend. Betrayed and broken-hearted, Sybil becomes obsessed with exposing Helen as a fraud, no matter the cost. Offbeat and darkly funny, The Snow and the Works on the Northern Line is about things lost and found. It is also a story about love, grief and forgiveness: letting go and moving on.
Julia and Nathan have no friends to speak of. They're misfits of Mrs Henrey's class - awlays the last to be picekd for the team, and always without a partner. Then they discover a stash of money in a deserted house and suddenly, instant popularity seems just around the corner. But so is trouble, in the shape of the adults who start asking difficult questions. There is only one thing the pair can do now, and that is to run away!
Edinburgh, 1991. Having flunked her exams, eighteen-year-old Luisa McKenzie finds herself back at school - this time working as a classroom assistant. Instead of leading a new 'sophisticated' life as a student in London, she spends her days trundling to and from her childhood home, sitting on the outside of the 'Home Corner' in a class full of five-year-olds.A chance encounter one afternoon with Stella, a former schoolfriend who has, herself, gone on to 'greater' things, wakes Luisa up to her disappointments. With a school trip and a magic show on the horizon , Luisa's hold on reality slowly begins to unravel .
Mum knew she shouldn't have left the children alone. That was why she was hurrying home, running to catch the evening train. She was so worried about Nicky and Roy that she didn't hear the thief come up behind her; she didn't look carefully when she dashed across the road . . . Back at home Nicky is findingit harder and harder to reassure her younger brother Roy. Soon the children are running out of money and the neighbours are getting suspicious. But whatever happens, Nicky is certain of one thing - she will NEVER tell.
Contributions to Law, Philosophy and Ecology: Exploring Re-Embodiments is a preliminary contribution to the establishment of re-embodiments as a theoretical strand within legal and ecological theory, and philosophy. Re-embodiments are all those contemporary practices and processes that exceed the epistemic horizon of modernity. As such, they offer a plurality of alternative modes of theory and practice that seek to counteract the ecocidal tendencies of the Anthropocene. The collection comprises eleven contributions approaching re-embodiments from a multiplicity of fields, including legal theory, eco-philosophy, eco-feminism and anthropology. The contributions are organized into three parts: ...
Just as the explosive growth of digital media has led to ever-expanding narrative possibilities and practices, so these new electronic modes of storytelling have, in their own turn, demanded a rapid and radical rethinking of narrative theory. This timely volume takes up the challenge, deeply and broadly considering the relationship between digital technology and narrative theory in the face of the changing landscape of computer-mediated communication. New Narratives reflects the diversity of its subject by bringing together some of the foremost practitioners and theorists of digital narratives. It extends the range of digital subgenres examined by narrative theorists to include forms that ha...
When we choose retreat we make a generous investment in our friendship with Christ. Seasoned spiritual director Ruth Haley Barton gently and eloquently leads us into an exploration of retreat as a key practice that opens us to God, guiding us through seven invitations to retreat. You will discover how to say yes to God's winsome invitation to greater freedom and surrender.
Stasiland Insight Text Guide has highly visual Character Map with notes on each character and their relationships; in - depth and comprehensive background and context notes; excellent notes on genre, style and structure; a chapter - by - chapter/scene - by - scene analysis; discussion of characters and relationships; highly informative section o...
The Alliterative Morte Arthure - the title given to a four-thousand line poem written sometime around 1400 - was part of a medieval Arthurian revival which produced such masterpieces as Sir Gawain and the Green Knight and Sir Thomas Malory's prose Morte D'Arthur. Like Gawain, the Alliterative Morte Arthure is a unique manuscript (held in the library of Lincoln Cathedral) by an anonymous author, and written in alliterating lines which harked back to Anglo-Saxon poetic composition. Unlike Gawain, whose plot hinges around one moment of jaw-dropping magic, The Death of King Arthur deals in the cut-and-thrust of warfare and politics: the ever-topical matter of Britain's relationship with continental Europe, and of its military interests overseas. Simon Armitage is already the master of this alliterative music, as his earlier version of Sir Gawain and the Green Knight (2006) so resourcefully and exuberantly showed. His new translation restores a neglected masterpiece of story-telling, by bringing vividly to life its entirely medieval mix of ruthlessness and restraint.