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Ruth Weiss
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ruth weiss
ruth weiss, born in Berlin in 1928 to Austrian-Jewish parents, arrived in San Francisco in 1952 after hitchhiking through the United States. Crowned years later as the “Goddess of the Beat Generation” by San Francisco Chronicle critic Herb Caen, weiss has worked for almost seven decades with a plurality of artistic forms. Despite her extensive poetry career and very active participation in the West Coast buzzing artistic community since the early 1950s, weiss has remained an essentially overlooked figure in poetry history. This neglect might be representative of the overshadowing of female artists within the Beat Generation as “a marginalized group within an always already marginalized...
Ruth Weiss Miscellany
Consists of posters, flyers, magazines, and promotional materials including a group of materials relating to the European Book Festival's 1998 Prague Project: A Beat Generation Fest. Posters and flyers relate to ruth weiss's public appearances, including some in California, but mostly at European jazz festivals. The magazines contain several of her poems, as well as interviews with weiss and her partner, Paul Blake. Includes biographical materials, promotional materials, performances programs, and reviews. Also includes a compact disc of a performance at Gualala Art Center, April 14, 2007.
Trafo-Taschenbuch
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Ruth Weiss Collection of Poetry Broadsides and Cards
Collection of individual poems written by ruth weiss. Production methods and sizes vary; most are holograph in silver ink on colored cardstock; some contain illustrations by Paul Blake.
My Sister Sara
Based on a true tale, My Sister Sara begins in December 1948. The Leroux family stands on Cape Town's docks to welcome their newest member, a blonde, blue-eyed war orphan that patriotic Pa has "ordered" from Germany. The God-fearing clan falls in love with the bright four-year-old. Even stern Pa, an architect of Apartheid, is softened by the orphan's presence until a document arrives revealing a terrible secret. Everything changes. The truth must never come out. Pa swears the family to secrecy. Sara is fed and clothed but never shown affection again. And never told the reason why. Told through the eyes of her adoptive brother Jo, Sara's past underscores her present against the heinous backdrop of Apartheid in the 1950's and 60's. She must call on Anne Frank-like courage to resist her enemies, even those with the Leroux name, if she is to have any hope of finding her place in the world.
A New View of Matter
"German-born ruth weiss expands her poetry into performance, stories, film, and painting. She innovated poetry to jazz in San Francisco's North Beach, at The Cellar when it opened in 1956. This book is a selection of work from 1958-1998. In Czech and English. With numerous photographs. No American poet has remained so faithful to jazz in the construction of poetry as ruth weiss. Her poems are scores to be sounded with all her riffy ellipses and open-formed phrasing swarming the senses ... Others read to jazz or write from jazz. ruth weiss writes jazz in words."--Jack Hirschman, poet
Ruth Weiss
ruth weiss, born in Berlin in 1928 to Austrian-Jewish parents, arrived in San Francisco in 1952 after hitchhiking through the United States. Crowned years later as the "Goddess of the Beat Generation" by San Francisco Chronicle critic Herb Caen, weiss has worked for almost seven decades with a plurality of artistic forms. Despite her extensive poetry career and very active participation in the West Coast buzzing artistic community since the early 1950s, weiss has remained an essentially overlooked figure in poetry history. This neglect might be representative of the overshadowing of female artists within the Beat Generation as "a marginalized group within an always already marginalized bohem...
For Philip Lamantia
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