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Slavery, capitalism, and colonialism were understood as racially justified through false olfactory perceptions of African bodies throughout the Atlantic World.
The New Companion to the Libro de buen amor provides a platform for exploring current, innovative approaches to this classic poem. It is designed for specialists and non-specialists from a variety of fields, who are interested in investigating different aspects of Juan Ruiz’s poem and developing fruitful new paths for future research. Chapters in the volume show how the book engages with Christian, Jewish and Muslim cultures, and delve into its legacy in the twentieth and twenty-first centuries. Part One sheds light on intersecting cultural milieux, from the Christian court of Castile, to the experience of Jewish and Muslim communities. Part Two illustrates how the poem’s meaning through time can be elucidated using an array of theoretical and interdisciplinary approaches. Contributors are Nora C. Benedict, Erik Ekman, Denise K. Filios, Ryan D. Giles, Michelle Hamilton, Carlos Heusch, José Manuel Hidalgo, Gregory S. Hutcheson, Veronica Menaldi, Simone Pinet, Michael R. Solomon. See inside the book
An exploration of the historical origins of the “witches’ ointment” and medieval hallucinogenic drug practices based on the earliest sources • Details how early modern theologians demonized psychedelic folk magic into “witches’ ointments” • Shares dozens of psychoactive formulas and recipes gleaned from rare manuscripts from university collections all over the world as well as the practices and magical incantations necessary for their preparation • Examines the practices of medieval witches like Matteuccia di Francisco, who used hallucinogenic drugs in her love potions and herbal preparations In the medieval period preparations with hallucinogenic herbs were part of the pra...
Disprezzata e derisa, ma idolatrata nella sua funzione sacra, la prostituta attraversa epoche e luoghi della storia lasciando tracce indelebili della sua esistenza. La sua figura emerge con forza in molte opere letterarie e altre declinazioni artistiche, facendo sopravvivere, in una continua metamorfosi, la sua costante presenza nella memoria collettiva. Il presente volume, che raccoglie contributi di studiosi italiani e stranieri, riflette in maniera caleidoscopica e con l’aiuto di esempi scelti il suo ruolo e il modo in cui è stata rappresentata. L’indagine prende anche in considerazione il fenomeno della prostituzione maschile.
Pornographic Sensibilities stages a conversation between two fields—Medieval/Early Modern Hispanic Studies and Porn Studies—that traditionally have had little to say to each other. The collection offers innovative new approaches to the study of gendered and sexualized bodies in medieval and early modern textual production, including literary and historical documents. The volume’s embrace of the interpretative tools of Porn Studies also inscribes a critical provocation: in what ways can contemporary modes of reading the past serve to freshly illuminate not only the contours of that same past but also the very critical assumptions of the present upon which fields like medieval and early ...
Just about everyone seems to have views about language. Language attitudes and language ideologies permeate our daily lives. Our competence, intelligence, friendliness, trustworthiness, social status, group memberships, and so on, are often judged from the way we communicate. Even the speed at which we speak can evoke reactions. And we often try to anticipate such judgements as we communicate. In this lively introduction, Peter Garrett draws upon research carried out over recent decades in order to discuss such attitudes and the implications they have for our use of language, for social advantage or discrimination, and for social identity. Using a range of examples that includes punctuation, words, grammar, pronunciation, accents, dialects and languages, this book explores the intricate and fascinating ways in which language influences our everyday thoughts, feelings and behaviour.
The text is a product of a conference held at the University of Bristol in April 2003.
A starkly beautiful, wordless graphic novel about the end of the world by the cult artist and longtime Radiohead collaborator. A wild seascape, a distant island, a full moon. Gradually the island grows nearer until we land on a primeval wilderness, rich in vegetation and huge, strange beasts. Time passes and man appears, with clubs, with spears, with crueler weapons still—and things do not go well for the wilderness. Civilization rises as towers of stone and metal and smoke choke the undergrowth and the creatures that once moved through it. This is not a happy story, and it will not have a happy ending. Working in his distinctive, monochromatic linocut style, Stanley Donwood achieves with his art what words cannot convey, carving out a mesmerizing, stark parable of environmental disaster and the end of civilization.