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Try Rebooting Yourself
Another collection of comics about the work-place antics of Dilbert and his co-workers.
NANO Fiction Volume 2 Number 2
NANO Fiction (print ISSN 1935-844X; digital ISSN 2160-939X) is non-profit literary journal that publishes flash fiction—a form of short story also known as micro fiction, micro narrative, micro-story, microrrelatos, postcard fiction, the short short, the short short story, kürzestgeschichten, and sudden fiction—of 300 words or fewer. Featuring twenty to thirty authors in each issue, NANO Fiction has roots that draw from Aesop’s Fables and Zen Koans. Notable practitioners of this prose form include Lydia Davis, Franz Kafka, Italo Calvino, Ignacio Martínez de Pisón, Naguib Mahfouz, and Linor Goralik, among others. This issue of NANO Fiction features works by: Edgar Omar Avilés, Ken Baumann, Mark Blickley, Randall Brown,Blake Butler, Kim Chinquee, Rebecca Cross, Ryan Dilbert, Jenny Ferguson, Brian Foley, Jeff Foster, David Galef, Katherine Grosjean, Annalynn Hammond, Steve Himmer, Jamie Iredell, Toshiya Kamei, Sean Kilpatrick, J.T. Ledbetter, Kendra Grant Malone, Devin Murphy, Josh Olsen, Anthony Opal, Matthew Savoca, Peter Schwartz, Daniel Spinks, Bob Thurber, James R. Tomlinson, Raymond Uhlir, and Thad DeVassie.
Grappling with Representation in the WWE
In this book, Lowery A. Woodall III explores the ways that diverse populations are portrayed, stereotyped, and sometimes villainized in the WWE’s colorful and dramatic programming. Each chapter examines the surprisingly complex and multilayered representation of marginalized populations throughout the modern history of the WWE under the leadership of Vincent K. McMahon. Through weekly shows like Raw and SmackDown, pay-per-view spectaculars like WrestleMania, and a vast library of wrestling-related material on their streaming platform, Woodall argues that the WWE and McMahon have created calculated and carefully curated representations of diversity that are viewed by millions of fans worldwide. What effects do those representations have on the men, women, and children who consume WWE content? How are wrestlers and performers impacted by their on-screen portrayals? This book explores these questions and demonstrates that when representations are inaccurate or problematic, more than just kayfabe is in danger of being broken. Scholars of professional wrestling studies, media studies, and communication studies will find this book of particular interest.
This Is the Voice
Introduction: Personally speaking -- Baby talk -- Origins -- Emotion -- Language -- Sex and gender -- The voice in society -- The voice of leadership & persuasion -- Swan song.
Dilbert 2.0
Celebrating the 20th anniversary of Scott Adams's "Dilbert," the touchstone of office humor, this special slipcased collection--weighing in at more than 10 pounds with 600 pages and featuring almost 4,000 strips--is divided into five different epochs personally selected by the author. Also included is a piracy-protected disc that contains every "Dilbert" comic strip to date and that can be updated as new cartoons are released.
Identity in Professional Wrestling
Part sport, part performance art, professional wrestling's appeal crosses national, racial and gender boundaries--in large part by playing to national, racial and gender stereotypes that resonate with audiences. Scholars who study competitive sports tend to dismiss wrestling, with its scripted outcomes, as "fake," yet fail to recognize a key similarity: both present athletic displays for maximized profit through live events, television viewership and merchandise sales. This collection of new essays contributes to the literature on pro wrestling with a broad exploration of identity in the sport. Topics include cultural appropriation in the ring, gender non-comformity, national stereotypes, and wrestling as transmission of cultural values.
Titan Sinking: The decline of the WWF in 1995
Throughout the history of the WWF, there have been times of prosperity and times of hardship, cycles that shape the ethos of the company by forcing changes to its infrastructure and on-screen direction. The one constant throughout three decades of change is Vincent Kennedy McMahon, the stalwart puppet-master who captains the ship. Unflinching, thick-skinned, and domineering, McMahon has ultimately outlasted all of his competition and come out on top of every wrestling war he has waged. In 1995, he very nearly lost. Titan Sinking tells the tale of one of the most tumultuous, taxing and trying years in WWF history. This book gives the inside story of all of it. Find out the real story of the year, and learn how 1995 brought WWF to the brink.
