You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
An author and his hero embark on a genre-bending journey to find the right story. The brave spaceship captain is surrounded by flying saucers. Though the situation appears dire, he knows just what to do … um, wait! The captain - ahem, boy - tells the author to stop the action: He’s got it all wrong. This is not the boy’s story. He belongs in a different story. Hmm. Maybe a story about the quickest cattle wrangler in the West? No! A dragon-slaying knight? No! A vampire’s next victim? No! Will the author ever come up with the right story? A hero who talks back to his creator? Kids won’t be able to look away!
Set in Oklahoma in 1961, a small town teen named John gets a spur of the moment job driving an old tractor across Arkansas to Oklahoma for a crotchety old farmer. John is about to enter his senior year of high school and has doubts about his future and the kind of man he wants to be. Unbeknownst to him, this trip will be just what he needs to figure all that out. We follow John as he picks up the tractor in Arkansas, then makes his way across hot, crowded Southern highways, on which he experiences breakdowns, fights, mishaps, and even love. It is no easy task to complete this job, but the pitfalls and chance meetings along the way might just take him where he's destined to go. John's belief in God beats down on him like the hot sun, while the fantasies of a mysterious girl he meets along the way flash through his mind. John is lost both literally and figuratively, but the people he meets along the winding roads give him more direction than he ever thought possible. John just wanted to earn some money to buy his first truck. Instead, he discovered the meaning of life.For young adult readers who have an
Charlie Fritz is a Hollywood talent agent hanging onto his career by a thread. After embarrassing himself at a movie screening, he’s in need of a comeback and a superstar client. Luckily, success comes his way in the form of his presumed-to-be dead father. When Bernie Fritz mysteriously arrives in the middle of Los Angeles by taxi, it’s evident he doesn’t remember anything about his prior life, but the white-robe-wearing man does have a cryptic message from the afterlife to share with anyone who will listen. Is he an angel from above or someone who’s simply lost their memory? When Bernie’s message goes viral and creates a social media sensation, Charlie seizes the opportunity to become his dad’s agent. It’s the perfect opportunity for them to finally connect and find a little meaning in their lives—even if for one of them, life is technically over.
A lifelong movie buff puts his knowledge and passion on paper to show you the best films of his favorite movie genre, Coming of Age. The author highlights some of the finest acting, the most poignant moments, and the funniest gags in movies about growing up, reflecting each decade of American culture since the beginning of film-making, while illustrating the ageless turbulence and confusion of adolescence.
Forrest Gump meets Woody Allen in this endearing story about a sea turtle seeking to be reunited with the love of his life. When Akela is separated from his migrant soulmate, Kalea, he will do anything to be reunited with her. Journey with this charming and neurotic sea turtle as he crosses paths with celebrities, politicians, and other moments in history with unbreakable determination to be reunited with his love.
Throughout films and television series like The Piano, Bright Star, In the Cut and Top of the Lake, Jane Campion has constantly explored gender, subjectivity and narrative representation. In an intensive engagement with her cross-medium career, Bernadette Wegenstein examines how Campion gives a tangible and visible form to the female gaze in her exploration, deployment, and ultimately her subversion of highly formalized genres such as the period piece, the thriller, and the procedural drama. Keeping a strict focus on her directorial practice and specifically on the capacity of her cinematography to induce both empathy and estrangement, this vital new book shows how Campion is engaged in a permanent artistic and intuitive exposition of a profoundly feminist philosophical vision. Wegenstein's work will be invaluable to scholars and students in gender and women's studies, film studies and those on philosophy and film courses.
This book provides coverage of the diversity of Australian film and television production between 2000 and 2015. In this period, Australian film and television have been transformed by new international engagements, the emergence of major new talents and a movement away with earlier films’ preoccupation with what it means to be Australian. With original contributions from leading scholars in the field, the collection contains chapters on particular genres (horror, blockbusters and comedy), Indigenous Australian film and television, women’s filmmaking, queer cinema, representations of history, Australian characters in non-Australian films and films about Australians in Asia, as well as chapters on sound in Australian cinema and the distribution of screen content. The book is both scholarly and accessible to the general reader. It will be of particular relevance to students and scholars of Anglophone film and television, as well as to anyone with an interest in Australian culture and creativity.
Behold the history of a film so scandalous, so outrageous, so explosive it disappeared from print for over a quarter century! A film so dangerous, half its cast and crew met their demise bringing eccentric billionaire Howard Hughes’ final cinematic vision to life! Starring All-American legend John Wayne in full Fu Manchu make-up as Mongol madman Genghis Khan! Featuring sultry seductress Susan Hayward as his lover! This is the true story of The Conqueror (1956), the worst movie ever made. Filmed during the dark underbelly of the 1950s—the Cold War—when nuclear testing in desolate southwestern landscapes was a must for survival, the very same landscapes were where exotic stories set in faraway lands could be made. Just 153 miles from the St. George, Utah, set, nuclear bombs were detonated regularly at Yucca Flat and Frenchman Flat in Nevada, providing a bizarre and possibly deadly background to an already surreal moment in cinema history. This book tells the full story of the making of The Conqueror, its ignominious aftermath, and the radiation induced cancer that may have killed John Wayne and many others.
An author and his hero embark on a genre-bending journey to find the right story. The brave spaceship captain is surrounded by flying saucers. Though the situation appears dire, he knows just what to do … um, wait! The captain - ahem, boy - tells the author to stop the action: He’s got it all wrong. This is not the boy’s story. He belongs in a different story. Hmm. Maybe a story about the quickest cattle wrangler in the West? No! A dragon-slaying knight? No! A vampire’s next victim? No! Will the author ever come up with the right story? A hero who talks back to his creator? Kids won’t be able to look away!
At the cutting edge of crime fiction, Mystery Magazine presents original short stories by the world's best-known and emerging mystery writers. The stories we feature in our monthly issues span every imaginable subgenre, including cozy, police procedural, noir, whodunit, supernatural, hardboiled, humor, and historical mysteries. Evocative writing and a compelling story are the only certainty. Get ready to be surprised, challenged, and entertained--whether you enjoy the style of the Golden Age of mystery (e.g., Agatha Christie, Arthur Conan Doyle), the glorious pulp digests of the early twentieth century (e.g., Dashiell Hammett, Raymond Chandler), or contemporary masters of mystery In this iss...