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Cultural History Through a National Socialist Lens
This text provides an analysis of 20 films from Nazi Germany, reflecting all the major genres and representing a sample of the directors of the time. It offers a view of their objectives.
Conflict, Catastrophe and Continuity
Offers fresh perspectives on key debates surrounding Germany's descent into and emergence from the Nazi catastrophe. This book explores relations between society, economy and international policy, and provides fresh insights into the complex continuities and discontinuities of modern German history.
War Stories
Moeller conveys the complicated story of how West Germans recast the past after the Second World War. He demonstrates the 'selective remembering' that took place among West Germans during the postwar years: in particular, they remembered crimes committed against Germans.
Rebel Without a Cause
Assesses the layered meanings and persistent global legacy of an American film classic.
Ministry of Illusion
Overview of Nazi cinema
The Final Film of Laurel and Hardy
The remarkable story behind the planning, development and marketing of Laurel and Hardy's ill-received final film, Atoll K, has been little explored. Details on the script development, cast, crew, locations, and even basic information on running times and release dates have been sketchy at best since the film's 1951 release. This work reconstructs the circumstances surrounding this unusual international co-production (Atoll K was a French-Italian film with English-speaking stars). Through lost documents detailing the film's production and funding, previously unreleased behind-the-scenes photos, and a rare interview with French movie star Suzy Delair, the author explores the continuous changes to the film's script during its chaotic production and the final marketing of the film's many different versions (Atoll K was also released as Robinson Crusoeland in the United Kingdom and as Utopia in the United States). Several appendices detail alternative sequences and cut scenes in various versions of the film and include French box-office reports from 1951 to 1952 as well as a complete filmography.
Letters to his Parents
'My dears: this is but a brief note to welcome you to the new world, where you are now no longer all too far away from us. ‘ So begins Adorno’s letter to his parents in May 1939, welcoming them to Cuba where they had just arrived after fleeing from Nazi Germany at the last minute. At the end of 1939 his parents moved again to Florida and then to New York, where they lived from August 1940 until the end of their lives. It is only with Adorno’s move to California at the end of 1941 that his letters to his parents start arriving once more, reporting on work and living conditions as well as on friends, acquaintances and the Hollywood stars of his time. One finds reports of his collaboratio...
The Cinema of Francesco Rosi
Francesco Rosi is one of the great realist artists of post-war Italian, indeed post-war world cinema. In this book, author Gaetana Marrone explores the rich visual language in which the Neapolitan filmmaker expresses the cultural icons that constitute his style and images. Over the years, Rosi has offered us films that trace an intricate path between the real and the fictive, the factual and the imagined. His films show an extraordinarily consistent formal balance while representing historical events as social emblems that examine, shape, and reflect the national self. They rely on a labyrinthine narrative structure, in which the sense of an enigma replaces the unidirectional path leading in...
Historical Dictionary of German Cinema
The History of German film is diverse and multi-faceted. This volume can only suggest the richness of a film tradition that includes five distinct German governments [Wilhelmine Germany, the Weimar Republic, the Third Reich, the Federal Republic of Germany (West Germany), and the German Democratic Republic (East Germany), s well as a reunited Germany], two national industries (Germany and Austria), and a myriad of styles and production methods. Paradoxically, the political disruptions that have produced these distinct film eras, as well as and the natural inclination of artists to rebel and create new styles, allow for construction of a narrative of German film. Disjuncture generates distinc...
German Film & Literature
First Published in 1986. This collection of essays by an international team of scholars is the first sustained investigation in any language of the historical interactions between German film and literature. It is a book about adaptations and transformations, about why filmmakers adapt certain material at certain times. The major impetus at work is the desire to expand the field of adaptation study to include sociological, theoretical and historical dimensions, and to bring a livelier regard for intertextuality to the studies of German film and literature. It is concerned with the ways in which filmmakers in Germany- from Pabst and von Sternberg to Fassbinder, Herzog and Sanders-Brahms- have engaged and been engaged by, literary history.
