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This original book explores the development of post-Soviet media and communications in Russia--a newly globalized environment following radical social change. Unique empirical research on new communications technologies, news agencies, television, and advertising in Russia shows how the experience and effects of globalization, which initially played a liberating role in the downfall of communism, are being transformed by the reassertion of the national. The Global and the National challenges conventional assumptions about globalization and contributes to a better understanding of its theoretical base, as well as its effects on non-Western countries.
A study of contemporary politics in Russia, assessing the attempted transition from totalitarianism to liberal democracy. It shows that although liberal institutions have been tentatively established, the weak social and cultural supports threaten the success of Russia's liberal project.
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The Red Pencil (1989) examines the many ways in which Soviet censorship interfered in the creative process – in the words of those who experienced it first hand. It helps to identify the ways in which Soviet artistic and intellectual production was shaped by the practices of Soviet censorship. The book goes beyond the simple recounting of banned books and taboo subjects to examine the more subtle issue of how Soviet writers attempted to strike a balance between accommodating the demands of government censorship while retaining for themselves a modicum of unfettered expression and intellectual integrity. Most of the contributing authors were active as writers, critics, editors, film and theatre specialists, or scientists prior to their departure from the Soviet Union in the 1970s.
The history of how computers spread to over 20 nations globally in less than six decades, exploring economic, political, social and technological reasons and consequences. It is based on extensive research into primary and secondary sources, and concludes with a discussion of implications for key players in the globalized economy.
The history of human society, as Carl Couch recounts it in his speculative final book, is a history of successive, sometimes overlapping information technologies used to process the varied symbolic representations that inform particular social contexts. Couch departs from earlier "media" theorists who ignored these contexts in order to concentrate on the technologies themselves. Here, instead, he adopts a consistent theory of interpersonal and intergroup relations to depict the essential interface between the technologies and the social contexts. He emphasizes the dynamic and formative capacities of such technologies, and places them within the major institutional relations of societies of a...
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