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This book examines representations of home in literary and visual cultures in the 20th and 21st centuries. The collection brings together scholars working on literature, film, and photography with the aim of showcasing new research in a burgeoning field focusing on representations of domesticity. The chapters span a diverse range of contexts from across the world and use a variety of approaches to exploring representations of home including studies of space, material culture, sexuality, gender, multiculturalism, diaspora, memory and archival practice. They include explorations of the Finnish Suburban home on film, home and the diasporic imagination in Chinese Canadian women’s writing and t...
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Occupying a space between the documentary and the make-believe, Dan Holdsworth's photographs transform Icelandic glaciers into a strange and futuristic landscape. In Blackout the landscape is present only as a brooding, eerie image of itself: the blue of the sky has become the deep black of space, while the earth appears in pale negative. This lunarlike terrain humbles the viewer before a foreign, awe-inspiring nature and repositions the notion of the romantic sublime.
The “Greatest Game of All” or Rugby League as it is known to some has given me nearly a half a century of pleasure and a little pain. In 1966 at the ripe old age of 6 I was introduced to our game when my Uncle Harry moved into the bedroom I shared with my younger brother in a 2 bedroom fibro joint in Rockdale (Dragon Territory). Harry was playing lower grades for Jack Gibson’s Roosters and went on to play for St George in the 1971 Grand Final against my other front rower mate John Sattler and his Rabbitoh’s. By the age of 9 I had memorized every player in the Big League magazine. The game became my obsession. Even if I had not been lucky enough to play over 100 games in the best comp...