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The Learned Banqueters, Volume VII
In The Learned Banqueters, Athenaeus describes a series of dinner parties at which the guests quote extensively from Greek literature. The work (which dates to the very end of the second century CE) is amusing reading and of extraordinary value as a treasury of quotations from works now lost. Athenaeus also preserves a wide range of information about different cuisines and foodstuffs, the music and entertainments that ornamented banquets, and the intellectual talk that was the heart of Greek conviviality. S. Douglas Olson has undertaken to produce a complete new edition of the work, replacing the previous Loeb Athenaeus (published under the title Deipnosophists).
Broken Laughter
A collection of over 200 of the most interesting and important fragments of Greek comedy, accompanied by a commentary; an extensive introduction discussing the history of comic genre; a series of appendixes on the individual poets, the inscriptional evidence, and the like; and a complete translation of the fragments. Individual sections illustrate the earliest Greek comedy from Syracuse; the characteristic features of Athenian `Old', `Middle', and `New Comedy'; the comic presentation of politicians, philosophers, and women; the comic reception of other poetry; and many aspects of daily life, including dining and symposia.
Aristophanes' Clouds
A new text and commentary on one of Aristophanes' greatest and most influential plays.
Broken Laughter
The text comprises important fragments of Greek comedy, accompanied by a commentary, an introduction discussing the history of comic genre, a series of appendixes on the individual poets, the inscriptional evidence and a translation of the fragments.
The "Homeric Hymn to Aphrodite" and Related Texts
The Homeric Hymn to Aphrodite (600s BCE?) tells the story of a brief encounter between the goddess of love and the cowherd Anchises, which led to the birth of the Trojan hero Aeneas. Less than 300 lines long, it is among the shortest of the so-called ‘major Homeric Hymns’. However, it is also richly and beautifully conceived and narrated, and of enormous importance for the Greek mythology and the history of Greek religion. Olson offers a complete new text of the poem and of ten related ‘minor Hymns’, based on a fresh examination of the manuscripts; a full critical apparatus; and a translation. The work is completed by a substantial introduction, which treats inter alia the stories of Aeneas, the problem of dating early Greek epic, and the nature of the connections between the Hymn to Aphrodite and the Homeric and Hesiodic poems. Olson furthermore offers a substantial, narratologically-oriented commentary.
Peace
Aristophanes' Peace was performed at the City Dionysia in Athens in 421 BC as a decade-long war with Sparta seemed finally to be drawing to an end, and is one of only eleven extant plays by the greatest Old Comic poet. Olson's edition of the play, which replaces Platnauer's of 1969, is basedon a complete new collation of the manuscripts, many of which have never been adequately reported before. The extensive commentary explores matters of all sorts, but it focuses in particular on the realities of day-to-day life in classical Athens and also examines the practical problems of staging. The substantial introduction includes essays on Aristophanes' early career, the politics of the Greek world in the late 420s, and the poet's theology.
Blood and Iron
Blood and Iron is an exploration of the role of gossip, rumor and storytelling in the society depicted in the Odyssey and in the real world in which the poem was performed. It includes extensive analysis of Homeric narrative technique, with particular attention to the way the singer creates tension in a largely traditional tale. Individual chapters treat discrete, generally very traditional literary and historical problems, including the significance of the term kleos, the presentation of Telemachos, the internal chronology of the poem, the nature of Homeric kingship, and the role of violence in the ancient Greek family. The book will be of importance for anyone interested in the literary content or storytelling technique of Homeric epic, as well for historians of the late Dark Ages.
Inscriptional Records for the Dramatic Festivals in Athens
Millis and Olson offer a updated edition of IG II2 2318–2325, the most substantial surviving evidence for the institutional history of the Athenian dramatic festivals. Fresh texts, detailed discussion of restorations, and full epigraphic and prosopographic commentary are included.
The Poet's Voice
Invaluable guide to ancient Greek literature and literary theory through the representation of poetry and the figure of the poet.
The Learned Banqueters
In The Learned Banqueters (late-2nd century CE), Athenaeus describes a series of dinner parties at which the guests quote extensively from Greek literature. The work provides quotations from works now lost, and preserves information about wide range of information about Greek culture. In The Learned Banqueters, Athenaeus describes a series of dinner parties at which the guests quote extensively from Greek literature. The work (which dates to the very end of the second century CE) is amusing reading and of extraordinary value as a treasury of quotations from works now lost. Athenaeus also preserves a wide range of information about different cuisines and foodstuffs; the music and entertainments that ornamented banquets; and the intellectual talk that was the heart of Greek conviviality. S. Douglas Olson has undertaken to produce a complete new edition of the work, replacing the previous seven-volume Loeb Athenaeus (published under the title Deipnosophists).
