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In this study the author singles out the ideas of K. S. Aksakov (1817-1860), philologist, poet, historian, and sometime dramatist, and places them in the broader current of nineteenth century Slavophilism. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Essays discuss attempts to save Russia's remaining literary and cultural monuments from ruin, the degradation of Russia's environment, and the fate of Russian Orthodoxy under communist rule.
"Notes on Fishing was Sergei Aksakov's first book, and Russia's first angling treatise. Notes, which has been compared to Izaak Walton's The Compleat Angler, presents a Russian gentleman's affectionate observations on the fishing tackle, angling techniques, and fish species he came to know during five decades of adventure-filled fishing in the vast Russian steppe and environs of Moscow." "Notes on Fishing, however, goes beyond more discourse on angling; it offers a rich multitude of viewpoints: philosophical, literary, linguistic, ethnographic, biological, and conservationist. Aksakov has imbued his notes with a deep fondness for the Russian land and an expertly conveyed atmosphere of personal and national nostalgia." --Book Jacket.
Here is a complete biography of Ivan Aksakov, a prominent intellectual figure in Russia during the reigns of Tzars Alexander II and III. Aksakov began his fiery career as a critic of Slavophilism, a movement created by his brother Konstantin, along with Alexis Khomiakov, the brothers Kireevskii, and others, which sought to divorce Russia from the West and all Western influence. Circumstances, however, turned Aksakov into the fanatical leader of the Slavophiles, making him a passionate nationalist and Pan-Slavist, and a fierce anti-Semite. Although he accepted the reforms of the 1860's, he feared that their results would lead to the further Westernization of Russia; and, toward the end of his life, disillusioned and despairing, he lent a generous hand to reaction. This book is based on a meticulous study of primary sources such as collected works, correspondence, private memoirs, and recollections.
A Family Chronicle (1856) is Sergei Aksakov's blend of memoir and fiction that tells the story of one Russian family relocating from the city to Russia's eastern frontier in the steppes of Bashkiria. It is an attempt to record oral tradition in writing and occupies a unique place in the history of the nineteenth-century Russian narrative. Aksakov has been called a "genius of reminiscences." This work is unmatched for its meticulous and realistic description of the everyday life of the Russian nobility and was well received by the literary greats of nineteenth-century Russian literature. It has also been said to contain a remarkably honest depiction of human psychology. With this edition of A Family Chronicle, the acclaimed translator Michael R. Katz improves upon the two earlier English versions (both now out of print).
This ten-year supplement lists 10,000 titles acquired by the Library of Congress since 1976--this extraordinary number reflecting the phenomenal growth of interest in genealogy since the publication of Roots. An index of secondary names contains about 8,500 entries, and a geographical index lists family locations when mentioned.
What role did the theatre—both institutionally and literally—play in Russia’s modernization? How did the comparatively harmonious relationship that developed among the state, the nobility, and the theatre in the eighteenth century transform into ideological warfare between the state and the intelligentsia in the nineteenth? How were the identities of the Russian people and the Russian soul configured and altered by actors in St. Petersburg and Moscow? Using the dramatic events of nineteenth-century Russian history as a backdrop, Catherine Schuler answers these questions by revealing the intricate links among national modernization, identity, and theatre. Schuler draws upon contemporary...
This monograph is nothing less than a bold attempt at solving the riddle of Gogol’s novel Dead Souls that even inspired a staging of Dead Souls at Schauspiel Stuttgart. Heftrich gives a comprehensive, coherent answer to the question of the novel’s meaning by meticulously laying bare its structure. The first part of the monograph is dedicated to one section of Gogol’s novel that has been neglected by virtually all critics - a clue that leads to a strictly ethical reading of Gogol’s epic. Gogol, as it emerges, constructed Dead Souls strictly according to a moral pattern. It is amazing to discover how flawlessly Dead Souls is built in this regard. The novel thus proves to be a true descendant of medieval romance with its inseparable interrelation between ethics and epics.