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In this book, Nicholas Rescher seeks to settle debates about whether Galen originated the fourth figure of the categorical syllogism. For his definitive evidence, Rescher examines Arabic sources, one of which is "On the Fourth Figure of the Syllogism" by twelfth-century mathematician Ibn al-Salah, and is reproduced here in Arabic with an annotated English translation. Rescher also explores the history and importance of the syllogistic figures in the evolution of logic in Islamic and European cultures, and discusses the debate about the actual number of syllogistic figures.
They discuss, for example, how the universal caliphs of the first six centuries gave way to regional rulers and how, in this new world order, Iranian forms, techniques, and motifs played a dominant role in the artistic life of most of the Muslim world; the one exception was the Maghrib, an area protected from the full brunt of the Mongol invasions, where traditional models continued to inspire artists and patrons. By the sixteenth century, say the authors, the eastern Mediterranean under the Ottomans and the area of northern India under the Mughals had become more powerful, and the Iranian models of early Ottoman and Mughal art gradually gave way to distinct regional and imperial styles.
Mouradgea d’Ohsson’s Tableau général de l’Empire othoman offered the Enlightenment Republic of Letters its most authoritative work on Islam and the Ottomans, also a practical reference work for kings and statesmen. Profusely illustrated and opening deep insights into illustrated book production in this period, this is also the richest collection of visual documentation on the Ottomans in a hundred years. Shaped by the author’s personal struggles, the work yet commands recognition in its own totality as a monument to inter-cultural understanding. In form one of the great taxonomic works of Enlightenment thought, this is a work of advocacy in the cause of reform and amity among France, Sweden, and the Ottoman Empire.
An interdisciplinary collection of essays exploring the harem as it was imagined, represented, and experienced in Middle Eastern and North African societies, and by visitors to those societies.
Centred on the socio-economic life of Ottoman Anatolia, this volume examines aspects of production, local and international trade, consumption and the role of the state, both at a local and a central level. Based on a wide array of data and adopting a variety of approaches, chapters range from the macro to the micro, from the overview of Anatolian economic resources to the in-depth examination of the petition language of provincial economic actors. Making a Living in Ottoman Anatolia thus offers the reader an entrée into the rich and varied socio-economic life of a central region of the Ottoman empire. Contributors are Marc Aymes, Ebru Boyar, Metin Coşgel, Suraiya Faroqhi, Kate Fleet, Elena Frangakis-Syrett, Yonca Köksal, Mehmet Öz, Mehmet Polatel and Sadullah Yıldırım.
In the sixteenth and seventeenth centuries, German clockwork automata were collected, displayed, and given as gifts throughout the Holy Roman, Ottoman, and Mughal Empires. In Animating Empire, Jessica Keating recounts the lost history of six such objects and reveals the religious, social, and political meaning they held. The intricate gilt, silver, enameled, and bejeweled clockwork automata, almost exclusively crafted in the city of Augsburg, represented a variety of subjects in motion, from religious figures to animals. Their movements were driven by gears, wheels, and springs painstakingly assembled by clockmakers. Typically wound up and activated by someone in a position of power, these o...
"Her alanda olduğu gibi dil alanında da şaşırtıcı bir gelişim yaşıyoruz: sokaktaki adamından televizyondaki sunucusuna, meclisteki politikacısından gökdelendeki iş adamına, kürsüdeki profesöründen gazetedeki yazarına, yabancı öğelerle, yanlışlarla dolup taşan, yandan çarklı bir türkçe kullanıyor herkes. Benim gençliğimde yazarlığın birincil koşulu dilini düzgün ve doğru kullanmaktı. Bugün hem anlam, hem kurgu açısından dil yanlışlarıyla dolu kitaplarla büyük romancı ya da büyük düşünür oluvermiş bir düzine yazar sayabiliyorsunuz." Kimim Ben?, edebiyatımızın usta yazarı Tahsin Yücel’in yeni denemelerini bir araya getiriyor. Temel konu, edebiyat. Romanlardan, öykü kitaplarından, kimi zaman güncel bir edebi tartışmadan yola çıkılarak kaleme alınmış bu denemeler, edebiyatın bakış açısıyla toplumsal veya bireysel konuların nasıl ele alınabileceğini gösteriyor. Kimim Ben? dikkatle ve özenle okunmalı...
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.