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Mukti: Free to Be Born Again is a history-based autobiographical nonfiction created on three decades of fieldwork in Muslim-majority Bangladesh and Hindu-majority India. Many strands of real-life drama have been weaved together with 1947 Hindu-Muslim, secular-Islamic, and 1971 Islamic-secular, ruling-minority vs. oppressed-majority partitions of India, Pakistan, and Bangladesh. Because of precarious plight, individual and village names have been fictionalized. The story focuses on transformation of a society by the oppressor, oppressed, Islam, and Hinduism. The story ties Indian and Bengali history, views of Muslims and Hindus, role of Bangladeshi Hindu refugee elites in India, pogroms, devastation of minority communities, role of anti-Hindu Islamism and anti-tradition Communism, life of poor oppressed-caste Hindus left behind in Muslim-majority Bangladesh, and more. Dastidar is the first to break a taboo by writing in 1989 about the poor, oppressed Hindu minority left behind by the Hindu-refugee elites in India.
This volume offers a collection of essays focused upon the representation of one of the most traumatic events in the history of India―the 1947 Partition―in literature and cinematographic adaptations. The focus here is placed on various strategies of representation and different types of memory at work in the process of remembering/re-membering Partition. All these avoid the traditional Hindu vs. Muslim perspective, and analyse other sides of the same story, seen from the perspective of marginal people belonging to other religious minorities, whose stories have generally been ignored and silenced by the official historical discourse. The book also demonstrates that the multiple “truths” engendered by this crucial event in India’s history lie along “improbable lines” randomly generated between history, amnesia and memory, between personal drama and collective trauma, loss and rupture, religion and nationalism, and longing and belonging.
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In Indian context.