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Catalog of an exhibition of paintings on Indian art from post independence to the present day.
An auction catalogue of the paintings of Indian artists held by the Osian's in Mumbai on 9 September 2006.
In the 1990s and 2000s, contemporary art in India changed radically in form, as an art world once dominated by painting began to support installation, new media, and performance. In response to the liberalization of India’s economy, art was cultivated by a booming market as well as by new nonprofit institutions that combined strong local roots and transnational connections. The result was an unprecedented efflorescence of contemporary art and growth of a network of institutions radiating out from India. Among the first studies of contemporary South Asian art, Infrastructure and Form engages with sixteen of India’s leading contemporary artists and art collectives to examine what made this development possible. Karin Zitzewitz articulates the connections among formal trajectories of medium and material, curatorial frames and networks of circulation, and the changing conditions of everyday life after economic liberalization. By untangling the complex interactions of infrastructure and form, the book offers a discussion of the barriers and conduits that continue to shape global contemporary art and its relationship to capital more broadly.
Comprises major events of India, in India and around the world.
Providing a unique insight into the global art market, this book discusses the flows of contemporary art, the migration of contemporary artists, and the worldwide diffusion of organisational models which the art market has recently witnessed.
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A quintessential work that unfolds the origin and development of contemporary indian art.Covering the last 150 years and with nearly 300 illustrations, the book focusses on the different artistic and stylistic genres and art movements which have enriched
Beautiful and brilliant, Amrita Sher-Gil lived life on her own terms, scandalizing the staid society of her times with her love affairs and unconventional ways. In this fascinating biography, art historian Yashodhara Dalmia paints a compelling portrait of the artist who, when she died in 1941 at the age of twenty-eight, left behind a body of work that establishes her as one of the foremost artists of the century and an eloquent symbol of the fusion between the East and the West