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New Delhi's liquid colonialism is on its way out. The old social order is crumbling. Those born into English-speaking privilege - Uma, the England-returned graduate; Madhavi, the academic, and journalist Dhruv; Shantanu, the civil servant, and his wife Anasuya; Deekay, the middle-class revolutionary; Pamela Sen, the dedicated teacher; Ikram Gilchrist, the famous author - are slowly but surely yielding ground to the subaltern. In the roil and rustle of this change, a mysterious gang of thieves is stealing old and rare books from the houses of the well-heeled. Who are these people? Where are they taking these books? And who is the mysterious Jai Prakash? What is his secret? The Gin Drinkers is a tragicomedy of manners and a true mirror to the class and caste conflicts that define modern India.
The stamping out of difference, the quelling of diversity and the burial of argument is, in fact, most un-Indian. Anyone who seeks to end that dialogue process is ignoring Indianness and patriotism. The liberal Indian argues for the rights of the marginalized in the tradition of Gandhi for trust, mutual understanding and bridge-building. Real patriotism lies in old-fashioned ideas of accommodation, friendship and generosity; not in force, muscle flexing and dominance. Why I Am a Liberal is Sagarika Ghose's impassioned meditation on why India needs to be liberal.
When Mia, acutely depressed by the suicide of her father, meets Karna, a young Indian guru who seems to have walked straight out of her father's painting of the Kumbh Mela, she feels compelled to follow him all the way fromLondon to India. And if marrying Vik, the suave corporate, will help her reach him, then so be it ... In India, Mia hears of Indi, Vik's accomplished, inordinately attractive mother who cannot cease raging against the limits imposed on her, by her blindness, her beauty, and her clinging son. To make sense of Indi's anguished attempts to break free, and her own journey chasing a duplicitous love, Mia must travel to the Kumbha, to the heart of her father's painting, where life, she learns, allows another perspective...
A stunning and sumptuous tale of the boundaries between love and hate, truth and deception, set against the anticipation for the Kumbh Mela: the biggest festival in India.
Almost Sixty Years Ago, Nehru Spoke Of India S Tryst With Destiny At The Dawn Of Independence. In The Constitution Of The New Republic That Was Framed A Few Years Later, The Goals And Values Of That Vision Were Unfolded. How Far Have We Progressed Since Then And What Is It That Destiny Now Holds For Tomorrow S India? The Present Volume Of Essays Surveys The Scene Past-Forward And Paints A Picture Of What Has Been Accomplished And What Remains To Be Done. There Is Pride And Satisfaction In Particular Over India S Vibrant Democracy And Progress In Many Directions. This Is Nonetheless Tinged With Concern, For There Are Nagging Problems Of Governance And Shortfalls In Human And Infrastructure De...
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The Jaipurs were India’s mid-century golden couple; its answer to the Kennedys, or Queen Elizabeth and Prince Philip. Jai and Ayesha, as they were known to friends like Frank Sinatra, Truman Capote and ‘Dickie’ Mountbatten, entertained lavishly at their magnificent palaces and hunting lodges in Rajasthan—and in the nightclubs of London, Paris and New York. But as the Raj gave way to the new India, Jaipur—the most glamorous and romantic of the princely states—had to find its place. The House of Jaipur charts a dynasty’s determination to remain relevant in a democracy set on crushing its privileges. Against the odds, they secured their place at the height of Indian society; but Ayesha would pay for her criticism of Indira Gandhi during the Emergency. From the polo field and politics to imprisonment and personal tragedy, the Jaipurs’ extraordinary journey of transformation mirrors the story of a rapidly changing country.
An institutional history of Indian parliament, democracy and politics combining archival materials, interviews and visuals.
Is the Indian Administrative Service (IAS) still the most appropriate institution to govern twenty-first-century India? Should a cadre of generalists head organizations as complex and diverse as industrial units; museums and rural development boards? If it had to be replaced; what is the best alternative? Drawing on his experience of thirty-six years in the IAS; Bhaskar Ghose addresses these and other major questions regarding the role; relevance and effectiveness of India’s long-established but often controversial system of state administration in The Service of the State. Ghose argues forcefully that the IAS is still the best option and one moreover that substantially fulfils its functio...