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In Jonah Blank's important, myth-shattering book, the West gets its first look at the Daudi Bohras, a unique Muslim denomination who have found the core of their religious beliefs largely compatible with modern ideology. Combining orthodox Muslim prayer, dress, and practice with secular education, relative gender equality, and Internet use, this community serves as a surprising reminder that the central values of "modernity" are hardly limited to the West.
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This Volume Explores How The ýWestý Has Been Written Into Indian Literary Texts And Other Cultural Productions. The Twelve Essays Included Here, Written By Literary Critics, Cultural Historians And Film Theorists, Examine Patterns In IndiaýS Perception And Creative Representation Of The West, Each Focusing On A Specific Linguistic Context: Asamiya, Bangla, Hindi, Oriya, Telugu And Urdu Besides Indian Writing In English. Though Dealing With Different Regions And Languages, Most Of These Papers Demonstrate The Limits Contemporary Postcolonial Theorizations And Urge The Need For A Reconceptualization Of The Theories Of Colonial Encounter In Order To Account For The Ways In Which India Imagined And Imaged The West And Its Civilization.
Records publications acquired from Afghanistan, Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan, and Sri Lanka, by the U.S. Library of Congress Offices in New Delhi, India, and Karachi, Pakistan
Orthodoxy and reform among the Bohras, Ismailite sect in India, as covered by the Indian press, 1949-1986.