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Everyday life in the far outposts of empire can be static, empty of the excitement of progress. A pervading sense of banality and boredom are, therefore, common elements of the daily experience for people living on the colonial periphery. Saikat Majumdar suggests that this impoverished affective experience of colonial modernity significantly shapes the innovative aesthetics of modernist fiction. Prose of the World explores the global life of this narrative aesthetic, from late-colonial modernism to the present day, focusing on a writer each from Ireland, New Zealand, South Africa, and India. Ranging from James Joyce's deflated epiphanies to Amit Chaudhuri's disavowal of the grand spectacle o...
For ten-year-old Ori, his mother’s life as a theatre actor holds as much fascination as it does fear. Approaching adolescence in an unstable home, he is haunted by her nightly stage appearances, and the suspicion and resentment her profession evokes in people around her, at home and among their neighbours. Increasingly consumed by an obsessive hatred of the stage, Ori is irrevocably drawn into a pattern of behaviour that can only have catastrophic consequences. Political bullies, actor, hairdressers, set boys and backstage crew make up the world of The Firebird, a visceral exploration of a young boy stumbling into adulthood, far ahead of his years.
What are the avenues of postsecondary educational experience available to the student in India today? Can college education be tailored to one's specific talents and meaningful to the world at the same time? Is there indeed such a thing as native intelligence? What is the ideal education to bring such intelligences to life? What are the possible curricular relationships between the arts and the sciences; the qualitative and the quantitative, the theoretical and the experiential? How deeply should a college education be rooted in a discipline? Should one cultivate one disciplinary strength or multiple ones? What is more valued by employers - depth or range? College provides accessible answers to these questions that will resonate with students with a wide range of life aspirations. It is an erudite and interesting guide to the possibilities contained in the rapidly changing realm of higher education today. It is essential reading for current and future college students, their parents, educators and anybody interested in the rich potential in the terrain of post secondary education in post-millennial India.
Can the criticism of literature and culture ever be completely professionalized? Does criticism retain an amateur impulse even after it evolves into a highly specialized discipline enshrined in the university? The Critic as Amateur brings leading and emerging scholars together to explore the role of amateurism in literary studies. While untrained reading has always been central to arenas beyond the academy – book clubs, libraries, used bookstores – its role in the making of professional criticism is often disavowed or dismissed. This volume, the first on the critic as amateur, restores the links between expertise, autodidactic learning and hobbyist pleasure by weaving literary criticism ...
A retired schoolteacher in present-day Calcutta is caught in the labyrinth of rusty bureaucracy and political crime under a communist government. Across a vast ocean of time, a widow leads a life of stark suffering in a wealthy feudal household in 19th century, British-ruled Bengal, at a time when widow-burning has gone out of practice but widow remarriage is far from coming into vogue.As their stories begin to connect, they weave a larger narrative of historical forgetting, of voices that have been pushed out of the nation's memory. And what we are left with is the intriguing tale of two cities: the same geographical space separated by decades of experience and neglect.'This is a book to cherish for a very long time, for its descriptions and evocations as well as for what it tells us about the ebb and flow of human expectation' ---Amit Chaudhuri
Nine finely nuanced stories that explore the themes of desire, intimacy and love... A contractor at a dam site develops so obsessive a desire for a tribal woman that he brings home and holds captive another man’s wife; a kathak dancer trapped in a marriage of convenience with an older man talks scathingly of fidelity; an accidental step into an occupied bathroom changes a young Delhi servant boy’s life forever; a young married couple beleaguered by infertility desperately tries to reignite the romance and passion of their honeymoon on a houseboat in Kashmir. Set across India, each of the stories in this collection unerringly locates the defiant undercurrent of individual expression in a world shackled by societal norms.
The House Next to the Factory shows a changing India over three decades through the lens of one family and the house that they live in. Life in the house is humdrum and confining, but on a rare evening out, Kavya sets off in search of a nun; a beloved teacher is caught in the aftermath of the anti-Sikh riots; a loyal servant worries over his relationship with a low caste woman; while in England, an aunt reads William Trevor and pines for all that she has left behind. Over the years, the family's steel utensil business blossoms, and amid the clanging of metal and the churning of machines, the household transitions from bourgeois to elite. Yet at thirty, Kavya finds herself in Paris, hoping to get past the sorrows of her young life... Delicate and finely textured, Sonal Kohli's extraordinary debut lays bare the complexities of class and culture and the difficulties as well as excitements of change, even as it evokes loves and triumphs, the pull of incongruous desires and the tragedies of everyday life.
Subject Lessons offers a fascinating account of how western knowledge “traveled” to India, changed that which it encountered, and was itself transformed in the process. Beginning in 1835, India’s British rulers funded schools and universities to disseminate modern, western knowledge in the expectation that it would gradually replace indigenous ways of knowing. From the start, western education was endowed with great significance in India, not only by the colonizers but also by the colonized, to the extent that today almost all “serious” knowledge about India—even within India—is based on western epistemologies. In Subject Lessons, Sanjay Seth’s investigation into how western ...
Papers presented at a conference held under the auspices of WASLE and IASCL held at Bhubaneshwar in 2003.
'Prose of the World' explores the global life of the banality of Empire. From late-colonial modernism to the present day, he looks at writers from all over the world to expose the everyday life of those abroad.