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"Dobby Gibson's poetry . . . is equal parts tender, triumphant, exhilarating, disturbing, and thought provoking: it's fantastic." (The Corresponder) * Shortlisted for the Believer Poetry Award * From the backs of the books I love and am terrified by, the great thinkers stare back at me with little encouragement. I am prepared to follow them anywhere! —from "Ago" Meditative, lyrical, aphoristic, and always leavened with a wry wit, the poems in Dobby Gibson's It Becomes You explore the divergent conditions by which we're perpetually defined—the daily weather, the fluctuations of the Dow, the growth of a cancer cell, the politics of the day. What surrounds us becomes us, Gibson suggests, in a book that will ultimately become you.
The poems in Dobby Gibson’s new book transform the everyday into the revelatory Little Glass Planet exults in the strangeness of the known and unknowable world. In poems set as far afield as Mumbai and Marfa, Texas, Dobby Gibson maps disparate landscapes, both terrestrial and subliminal, to reveal the drama of the quotidian. Aphoristic, allusive, and collaged, these poems mine our various human languages to help us understand what we might mean when we speak to each other—as lovers, as family, as strangers. Little Glass Planet uses lyric broadcasts to foreshorten the perceived distances between us, opening borders and pointing toward a sense of collectivity. “This is my love letter to the world,” Gibson writes, “someone call us a sitter. / We’re going to be here a while.” Elegiac, funny, and candid, Little Glass Planet is a kind of manual for paying attention to a world that is increasingly engineered to distract us from our own humanity. It’s a book that points toward hope, offering the possibilities of a “we” that only the open frequency of poetry can create, possibilities that are indistinguishable from love.
In response to the growing scale and complexity of environmental threats, this volume collects articles, essays, personal narratives, and poems by more than forty authors in conversation about “thinking continental”—connecting local and personal landscapes to universal systems and processes—to articulate the concept of a global or planetary citizenship. Reckoning with the larger matrix of biome, region, continent, hemisphere, ocean, and planet has become necessary as environmental challenges require the insights not only of scientists but also of poets, humanists, and social scientists. Thinking Continental braids together abstract approaches with strands of more-personal narrative and poetry, showing how our imaginations can encompass the planetary while also being true to our own concrete life experiences in the here and now.
Poet Leslie Adrienne Miller's brilliant and provocative exploration of anatomical texts and historical assumptions about the body Whoever they were, they're still with us, posing demurely in suits of blood and muscle, the bruised shadows of what skin they do have . . . —from "Gautier d'Agoty's Écorchés" "The resurrection trade," the business of trafficking in corpses, is an old trade, one that makes possible the art of anatomy and, as poet Leslie Adrienne Miller discovers, the art of her own book. Miller delves into the mysteries of early anatomical studies and medical illustrations and finds there stories of women's lives—sometimes tragic, sometimes comic—as exposed as the drawings themselves. These meticulously researched and rendered poems become powerful testimonies to women's bodies objectified and misunderstood throughout history. Miller's sensuous and harrowing fifth collection brings a new truth to what she calls "the strange collusion of imaginary science and real art."
A sensitive and nuanced exploration of a seldom-discussed subject by an acclaimed novelist The fourteenth volume in the Art of series conjures an ethereal subject: the idea of mystery in fiction. Mystery is not often discussed—apart from the genre—because, as Maud Casey says, “It’s not easy to talk about something that is a whispered invitation, a siren song, a flickering light in the distance.” Casey, the author of several critically acclaimed novels, reaches beyond the usual tool kit of fictional elements to ask the question: Where does mystery reside in a work of fiction? She takes us into the Land of Un—a space of uncertainty and unknowing—to find out and looks at the variety of ways mystery is created through character, image, structure, and haunted texts, including the novels of Shirley Jackson, Paul Yoon, J. M. Coetzee, and more. Casey’s wide-ranging discussion encompasses spirit photography, the radical nature of empathy, and contradictory characters, as she searches for questions rather than answers. The Art of Mystery is a striking and vibrant addition to the much-loved Art of series.
A poet descended from the New York School, Dobby Gibson’s award-winning debut is witty and expansive, driven by precise, interconnected abstractions. Gibson writes about desire in American life, observing, “Amid the middleness, / there’s the feeling / that anything can be seen / and nothing reached,” seeking his truths in misunderstandings and the relentless Midwestern winter.
This book describes the history and characteristics of ethnic and multicultural children's literature in the U.S., as well as related materials published elsewhere. It relates in great detail the people, businesses, organizations, and institutions that create, disseminate, promote, critique, and collect these materials. Author Donna Gilton gives a detailed history of U.S. multicultural and ethnic children's literature throughout several historic periods, relating these developments to general social and political U.S. history. Chapters illustrate characteristics of U.S. multicultural children's books, the major issues in the field, and multicultural initiatives and mainstream responses, while also providing outlines of research possibilities in the field and suggesting other groups of people who should be emphasized more in the future. In doing all this, Multicultural and Ethnic Children's Literature in the United States brings together valuable and scattered information for the busy and involved librarians, teachers, parents, publishers, distributors, and community leaders who wish to use and promote this material with children.
Charles Baxter inaugurates The Art of, a new series on the craft of writing, with the wit and intelligence he brought to his celebrated book Burning Down the House: Essays on Fiction. Fiction writer and essayist Charles Baxter's The Art of Subtext: Beyond Plot discusses and illustrates the hidden subtextual overtones and undertones in fictional works haunted by the unspoken, the suppressed, and the secreted. Using an array of examples from Melville and Dostoyevsky to contemporary writers Paula Fox, Edward P. Jones, and Lorrie Moore, Baxter explains how fiction writers create those visible and invisible details, how what is displayed evokes what is not displayed. The Art of Subtext is part of The Art of series, a new line of books by important authors on the craft of writing, edited by Charles Baxter. Each book examines a singular, but often assumed or neglected, issue facing the contemporary writer of fiction, nonfiction, or poetry. The Art of series means to restore the art of criticism while illuminating the art of writing.
A humorous & insightful memoir of everday life told through pieces inspired by a series of quirky antique postcards.
The first single-volume, comprehensive survey of the best Minnesota poetry, Where One VOice Ends Another Begins showcases the work of seventy-six of the state's premiere poets.